ART CENTRAL 2024

大雋藝術將首度參展ART CENTRAL，於2024年展位C24以《夢的碎片》(A piece of Dream)作為策展主軸，佛洛伊德曾言：「夢境是通往潛意識的道路。」，夢是願望實現的表達，潛藏生命的本能慾望，作為表現意識的媒介，夢可謂藝術創作的本質。夢中的每個部分都是代表著部分自我的投射，透過藝術家的創造，從個人的神話到民族的大夢，藝術指明了一條從幻想回到現實的途徑（A path back from fantasy to reality），遂成為全體人類心靈抒發的出口。通過五位藝術家的觀照角度，逐步撿拾不同經驗感召與歷史記憶的碎片，帶領觀者領略他們的「同床異夢」。

Rich Art Gallery makes its debut at ART CENTRAL in 2024, featuring the exhibition in booth C24 with “A Piece of Dream” as the central theme. Freud once said dreams are “the royal road to a knowledge of the unconscious activities of the mind. ” Dreams are not merely the manifestation of fulfilling desires but also reservoirs of life's primal urges. As a medium for manifesting consciousness, dreams encapsulate the essence of artistic creation. Each segment of a dream projects a fragment of the self. Through the creative lens of artists, we traverse from personal myths to collective ethnic aspirations. Art outlines a path back from fantasy to reality, offering a collective emotional and psychological outlet for humanity. Through the multi-faceted lenses of these five artists, fragments of varied experiences and historical memories are carefully retrieved, inviting viewers to navigate a dreamscape that is both collectively shared and exquisitely individual.

➤ Eastern Festival Chronicles - The chapter of Monkey and Horse | 130 x380cm, Asian Gouache Painting, Gold foil, water gold foil, green clam foil, red clam foil, aluminum foil, 2024

此外Art Central展區特別呈獻白田誉主也（1984－）近四米巨作《東方祭典錄-猿馬篇-》，以日本傳統文化祭典為依托，融匯摺紙祈福習俗，五彩繽紛的色紙與披覆馬身的紋章衣裳，為畫面添賦豐盛、快樂的氣息，隨著祭典隊伍緩慢行進，觀者感知逐漸被牽引，浸淫在感恩、幸福與希望的國度，藝術家期盼將此祝福於現實同步發酵。

This time, in our exhibit space in Art Central, we specially present a nearly four-meter masterpiece titled "Eastern Festival Chronicles - The Chapter of Monkey and Horse” by Japanese artist Hakuta Yoshuya. The piece was inspired by the traditional Japanese cultural festivals and incorporated the custom of origami for blessings. The artwork was decorated with vibrant color papers, with detailed ceremonial attire adorned with emblems covering the horse’s body. This combination adds a rich and joyful atmosphere to the scene. As the festival procession moves slowly, the viewers gradually feel drawn in and immerse themselves in the realm of gratitude, happiness, and hope. The artist hopes to outspread these blessings toward the viewers and allow them to ferment and resonate in reality simultaneously.

➤ Chauvet 1.3.10 Cyper-Citadel IV, 130x120x60cm, Oak/Birch wooden plate, Holographic PVC, Retroreflective Polyester, Transparent Vinyl, Shellac & Ink/Polymer Acrylic , 2023

展覽整體關係將由外圍展牆羅列Johannes Holt Iversen（1989－）與Zdenek Konvalina（1979－）的碎形、有機型態抽象創作破題，將夢中無法凝定的原始直覺躍上現實維度。

The exhibition showcases the fragmented, organic, but abstract works of Johannes Holt Iversen (b.1989) and Zdenek Konvalina (b.1979), articulating the indescribable, primal intuitions of dreams into the realm of reality.

➤ Multiple Plays III, 140×190cm, Oil and Acrylic on Canvas, 2023

Johannes Holt Iversen作品看似抽象，但總與現實世界相關，他探索光、影和反射的二重性，藉發達的人工智慧來追求其藝術實踐，目標是透過藝術創造一個與人類遠古歷史和未來連結的宇宙。通過非傳統的形式、材料和顏色，欲傳達：不僅僅作品本身重要，環境和觀眾介入藝術、產生互動的過程也是重點。

Johannes Holt Iversen’s works can be abstract at times but are always related to the real-world counterparts. The duality of light, shadow, and reflection is explored in Johannes's artistic practice, and now perusing his practice with innovative artificial methods, which aims to create a universe through his artistic endeavors that are connected to both the distant history and the near future of humanity. Through unconventional forms, textures, and colors, he conveys the idea that, while the figure itself is important; the surrounding area, the viewer, and even the ecology have a significant part in engaging with the artwork.

➤ Company with the Good, 56x26x49cm, Bronze, 2023

➤ Beyond the Real - Narrative Space

103×36.3×18cm, Gundam model parts, mixed media, wood panel, 2022