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➤ DD #2 Pale Blue, 2020-2023, Silicone, 61 x 61 x 61 cm / 24 x 24 x 24 in© Paul McCarthy
Hauser & Wirth at Frieze Seoul 2024
Hauser & Wirth will return to Frieze Seoul this year with a presentation focused on its celebrated gallery artists, with works by those with important museum and institutional projects this year. At the fair, visitors will discover exceptional paintings by Rita Ackermann, Louise Bourgeois, Frank Bowling, Mark Bradford, Catherine Goodman, Jenny Holzer, Roni Horn, Luchita Hurtado, Glenn Ligon, Paul McCarthy, Angel Otero, Nicolas Party, Avery Singer, Anj Smith, Pat Steir, Henry Taylor, Keith Tyson, Ambera Wellmann, and Flora Yukhnovich, reflecting the diversity and depth of the gallery’s cross-generational program.
➤ Louise Bourgeois, 'Femme', 2003
The booth will debut new works made this year by Ambera Wellmann, Catherine Goodman, Glenn Ligon, Angel Otero and Flora Yukhnovich. Other highlights straight from the artists' studios include:
• A new work by Avery Singer, ‘Free Fall’ (2024), capturing the artist‘s dynamic visual rhetoric that employs the binary language of computer program and industrial materials while engaging with the tradition of painting and the legacy of Modernism. The title holds further personal resonance for the artist, reflecting on the traumatic events of 9/11 in New York, which she witnessed firsthand as a teenager, instilling an autobiographical layer to the work.
➤ Avery Singer, 'Free Fall', 2024
➤ Rita Ackermann, 'Transparent Shutters', 2024
• Rita Ackermann's ‘Transparent Shutters’ (2024), a remarkable example from the artist’s newest body of work. By building up and removing layers of figurative imagery and gestural brushstrokes, the artist creates a highly textured canvas that brims with energy and movement. The work appears to be in a constant state of forming and reforming, with various forms and figures dissolving almost as soon as they are detected.
➤ Anj Smith, 'Artist's Tools II', 2023
Featured in the presentation are works by artists with major 2024 museum and institutional projects, including, in South Korea, Nicolas Party at Ho-Am Art Museum and Ambera Wellmann at Gwangju Biannale; and in Germany, Mark Bradford at Hamburger Bahnhof, Berlin.
• Complementing Louise Bourgeois's exhibition at Mori Art Museum Tokyo in Japan, ‘Femme’ (2003) is an extraordinary and significant late work that reflects on the artist’s persistent concerns with the cycles of life—the polarities of birth and death, growth and decay —as well as her anxiety over the reality of separation and togetherness.
➤ Ambera Wellmann, 'Skellein', 2024
➤ Henry Taylor, 'Blue Period', 2023
Further show-stoppers include:
•Henry Taylor's 'Blue Period' (2023), epitomizing his prodigious painting process. Celebrating Black culture and history, this work depicts a figure based on an anonymous portrait the artist found in a newspaperand,as the title affirms, references the storied Blue Period (1901-1904) by famous master Pablo Picasso.
➤Border Barrier, 2023, 24k gold and moon gold leaf and oil on linen, 61 x 46.4 x 3.8 cm / 24 x 18 1/4 x 1 1/2 in© (2024) Jenny Holzer, member Artists Rights Society (ARS), NY
