CA Interior Design

Taipei's Shilin MRT station is surrounded by an abundance of food and coffee shops, and is always bustling with life. However, when you turn into the alley in the direction of Dadong Road, it is a very different scenery, and the sound of bustling traffic becomes the background sound of life. CA Interior Design's studio is located in this area. Located on the third floor, the spacious interior space is further enlarged by the large window view, which looks out onto the branches of the green trees on the street, with their luxuriant treetops swaying under the blue sky, attracting designers Cheng Hao-Chien and Chen Yu-An.

The orientation of the space is east-west, so the windows on the left and right sides will welcome the morning sun in the morning and bring the afterglow of the sunset in the afternoon, satisfying the necessary conditions for the two people to find a place to be. In addition, Cheng Hao-Chien smiles and says that there is another reason for choosing this location, because the design and decoration of the space are closely related to "wood", and the studio is located at "Shihlin Dadong Road". If we look at the Chinese characters, there are three blocks of wood inside, so it's perfect!

After they decided to settle down, they started to plan the interior layout from scratch. Except for the two toilets, there are no partitions in the interior, which is exactly what the designer wanted to present as an "open" space. There are no actual wall lines, only object configurations to create field clarity. A straight corridor extending from the entrance divides the space on two sides. Through open shelves, furniture and large volumes such as the center island, the work area is defined as the material and meeting area and office area on one side, while the relaxation area with the center island bar and sofa on the other side. In the eyes of CA Interior Design, when people are in today's era of information explosion and external influences are beyond their reach, home or studio is an important place to settle the mind. Therefore, the studio eliminates too many colors and uses pure white as the base, eliminating the overall layout and line planning, and combining pure colors to bring a sense of comfort, and actually showing the owners what the future space may look like.

The minimalist space is organized by the designer's choice of furniture and lighting to form a number of elegant end views. Wooden single chairs specially ordered from Denmark create a formal but unrestricted atmosphere in the meeting area, and the integrated sofa area presents a homey feel.The DEW cantilever chandelier on the conference table cuts a simple but powerful slope from the wall, breaking the balance of the square frame. The yellow table lamp on the office table is a small art piece. The black wall sconce on the wall of the water area at the bar also radiates light on the mosaic tiles, accompanying countless nights of relaxation after work. In the space, most of the furniture, such as the center island, countertops, and table tops, are kept at a height of 90 cm above the floor, making use of the leveling of the horizontal view to make the atmosphere of the space feel more streamlined.

The pure white space not only brings inspiration to the designers, but also has a high degree of inclusiveness. On the wall display are many magazines and books of the two designers, and behind the center island is an oil painting with a coppery yellow glow, reflecting the evening sunlight coming into the room in the afternoon. The yellow light echoes from the outside to the inside, as do the green plants standing quietly around, adding a natural expression to the pure white space. As the days and nights change and the seasons flow, the creative inspiration of design flows with the light and shadows, depicting more space beauty by combining life and design.

辦公室

上上室內設計

台北士林捷運站周邊林立美食、咖啡店等豐沛生活機能，熱鬧景象時常，然朝著大東路方向轉入巷子，卻是截然不同的風景，熙攘車流聲化成生活背景音，上上室內設計的工作室便座落此一鬧中取靜的城區。位在三樓，寬敞的室內空間隨著偌大窗景更顯開闊，窗景高度正好望見行道綠樹的枝頭，蓊蔚樹梢在藍天下婆娑搖曳，吸引著設計師鄭皓謙與陳昱安，以淺白純粹之姿進駐於此。

空間方位呈東西向，因而左右兩側窗戶將於早上迎向晨曦，午後捎來餘暉夕陽，滿足兩人尋覓據點時心念的必要條件。此外，鄭皓謙笑著說會選擇在此處落腳還有另一個原因，因為空間設計、裝潢與「木」有著緊密關聯，而工作室地址位在「士林大東路」，就文字而言，裡頭便有三座木頭，所以再合適不過！確定落腳後，從毛胚屋開始進行室內格局規劃，內部除了兩間廁所外其餘皆無隔間，正巧符合設計師所要呈現「開放」的空間型態。沒有實際牆線，僅利用物件配置建立起場域明確性。一條從玄關延伸入內的筆直廊道，分化空間兩側，透過開放式層架、家具及中島等大型量體，定義出一側為材料暨會議區、辦公區的工作領域，另一側則是中島吧台與沙發的休閒區。在上上設計眼裡，當人們身處現今資訊大爆炸的時代，外在影響因素超出了可承受範圍，家或工作室便是沈澱心靈的重要所在。因而工作室除卻過多色彩，以純白為基底，在整體格局與線條規劃方面去蕪存菁，配合純淨色彩帶來舒適感，亦實際為業主展示未來空間可能呈現的樣貌。

極簡的空間，藉由設計師自選家具、燈飾組織成多幅優雅端景。

特地從丹麥訂購的木質單椅在會議區創造正式但不受拘束的洽談氛圍，一體成型的沙發區呈現出家的自在；燈飾亦別有用心，會議桌上的DEW懸臂吊燈從壁面劃下簡而有力的斜率，為方正框架破除些許平衡；辦公桌上黃色桌燈，自成一座小型藝術品；吧台水區牆上的黑色壁燈，也在馬賽克磚上散射著光暈，陪伴著無數個工作後放鬆的夜晚。

綜觀空間，中島、流理台面、桌面等家具大都維持在離地90公分的高度，利用水平視線的平整化，使空間氛圍感受更為俐落有致。

純白空間不僅為設計師帶來靈感，亦有著高度包容性。牆上展示架有許多設計師兩人的雜誌、書籍收藏，中島後方亦有一幅散發著銅黃色光暈的油畫，輝映下午時分照入室內的晚霞，黃澄澄地一片光景由外而內相互呼應，如同在四周靜靜佇立的綠意植栽，連結室外，為純白空間增添了自然表情。當日夜更迭，四季流轉，設計的創意靈思亦隨著光影流瀉，描繪出更多結合生活與設計的空間美感。

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