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J House
業主尋覓許久的家宅，終於選定一間16年的中古屋作為一家三口的生活寓所。面對這間屋況良好、格局方正只是舊裝修有些out of fashion的房子，我們首先思考的是：是否一定要打掉重練才能創造新的生活空間？
The homeowner, after a long search, finally chose a 16-year-old second-hand house as the dwelling for their family of three. Faced with this house in good condition, with a regular layout but somewhat out-of-fashion decor, our first consideration was: Is it necessary to completely demolish and rebuild to create a new living space?
原格局即具備開放式廚房、3+1房，特別是公共空間開闊且以走道串連私密空間，與未來居住者的生活型態相容性很高，加上業主著迷於高端設計傢俱，過去已有不少經典珍藏，於是我們決定顛覆過往以硬體裝修為主、傢俱為輔的做法，改以微幅裝修、傢俱軟裝為主角的改造手法，重塑一處能夠展現屋主品味的時代寓所。
The original layout already featured an open kitchen and 3+1 rooms, particularly, the public spaces were spacious and connected by corridors to the private areas, which highly suited the future inhabitants' lifestyle. Moreover, the homeowner was fascinated by high-end designer furniture and had already collected many classic pieces. Thus, we decided to overturn the traditional approach of focusing on structural renovations with furniture as secondary, opting instead for minimal renovations and making furniture and decor the main focus of the transformation, reshaping the space to reflect the homeowner's taste for the contemporary abode.
首先我們將拆除壁紙，改以米白帶灰的淺色塗料，營造空間的靜謐感，也使屋主收藏的設計家具成為視覺主角，形塑出隱身於家宅中的現代藝廊。每一件傢具飾品宛如藝品恰如其分地出現在對的位置，既展現美學也豐盈生活姿態。同時更換門片與五金把手、置換主臥床頭壁材，以微幅修飾美化質感家居。
The original layout already featured an open kitchen and 3+1 rooms, particularly, the public spaces were spacious and connected by corridors to the private areas, which highly suited the future inhabitants' lifestyle. Moreover, the homeowner was fascinated by high-end designer furniture and had already collected many classic pieces. Thus, we decided to overturn the traditional approach of focusing on structural renovations with furniture as secondary, opting instead for minimal renovations and making furniture and decor the main focus of the transformation, reshaping the space to reflect the homeowner's taste for the contemporary abode.
拿掉以電視牆為主軸的概念，公共區域如同一個展廳，考驗著家具配置師如何讓個性強烈的新舊家具和諧共處。不同品牌的經典單品錯落其中，窗邊的Cassina扶手椅是抽象現實主義的象徵，中央的edra的沙發則是一個柔軟的大型雕塑，自由移動的靠背和座椅組合，隨著主人或宴客或小憩的需求任意擺放，對角的 FIAM 落地鏡不僅僅是客廳的亮點，銀色的鏡面延伸了光線感，成為臥室走廊望眼過去的獨特端景。
By discarding the concept centered around the television wall, the public area becomes akin to an exhibition hall, challenging the furniture arranger to harmonize the distinctly personal old and new pieces. Among them, classic items from various brands are interspersed; the Cassina armchair by the window stands as a symbol of abstract realism, while the central Edra sofa acts as a soft, large-scale sculpture. Its freely movable backrests and seat combinations can be arranged at will to accommodate the homeowner's needs, whether hosting guests or relaxing. The diagonal FIAM floor mirror is not just a highlight of the living room; its silver reflective surface extends the sense of light, creating a unique focal point visible from the bedroom corridor.
別於公共空間以黑灰銀為點綴，主臥室以白色為基底，在床頭板、燈飾加入了暗紅色系的元素，展現大人的成熟；小孩房則以暖黃色檯燈和抽象型態的Magis Happy Bird帶出童趣。特意更換的按鈕開關和五金把手，暗藏設計師巧思，從小地方呼應了整體的藝術感。
Contrasting with the public space adorned in black, grey, and silver, the master bedroom uses white as its base, incorporating elements of dark red in the headboard and lighting fixtures to exude a mature elegance. The children's room, on the other hand, introduces a sense of playfulness with a warm yellow desk lamp and the abstract-shaped Magis Happy Bird. The deliberate replacement of button switches and hardware handles reveals the designer's ingenuity, subtly echoing the overall artistic ambiance.
家具可以是生活用品，也可以是藝術品；家可以化身成藝廊，也可以是溫暖的小窩。愛跨越了家的形象與框架，從進入家門開始，每一個眼所能及的畫面，都是一幅美好的光景。
Furniture can serve both as utilitarian objects and works of art; a home can transform into a gallery while still remaining a cozy nest. Love transcends the image and confines of a home, turning every visible scene from the entrance into a beautiful vista.
Design Studio | DONG TENG XUE @dongteng_xue . FF&E Studio | MOYA ARTERIOR @moyaarterior
Photography | MOOOTEN STUDIO @moootenstudio
