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KUBRICK’s Office
At InOrder Studio, design is not about imposing an artificial framework of order; rather, it reveals the inherent logic within. For designer Ching-Ju Chen, the foundational principle is “to articulate function—in that once a function is fulfilled, any superfluous expression is stripped away and seamlessly integrated into the form, creating a spatial symbol of order.” This concept is vividly embodied in his design for the office of renowned fan manufacturer KUBRICK, where every detail reflects a precise integration of functionality that evolves into distinct design motifs, yielding a tangible union of function and order.
Driven by an uncompromising pursuit of meticulous detail, InOrder Studio adeptly addressed the client’s clear vision and requirements—reflecting a shared design background—to create a space that serves both as a reception area and a research and development hub. Through a carefully crafted spatial language, the design communicates the company’s rigorous standards in product development. Following a swift consensus between all parties, the project was collaboratively executed with the construction team. Birch wood was chosen as the dominant material for the office; its layered plywood—with light and shadow interplay—reveals rich textures, while its natural character harmonizes perfectly with the design language of the brand’s products. The striking contrast in its tones accentuates the wood grain, establishing a unique spatial signature.
To echo the textured rhythm of the birch’s cross-section, designer Ching-Ju Chen employed semi-translucent materials that allow light to diffuse freely, enhancing the sense of depth and progression throughout the space. At the entrance, translucent façade panels—typically used in building exteriors—are arranged with careful precision. Integrated with soft color temperatures, acrylic fasteners, and L-shaped folded frames, these panels form a uniform light membrane that brightly illuminates the area, creating an inviting foyer for waiting, displaying, or interacting. Further into the space, a transition in flooring materials subtly guides circulation. The linear language of reeded glass continues the expression of the birch, while its diffuse, enigmatic quality provides the conference room with a sense of privacy without complete isolation. Meanwhile, rectangular mosaic tiles quietly delineate zones for product components, the central island bar, and the main office area.
Ching-Ju Chen’s unwavering commitment to precision is evident from the initial layout and proportional measurements to the one-to-one on-site testing. Every element is meticulously calculated: the placement of light fixtures and switch panels is determined not arbitrarily but through careful consideration of light strip spacing and module dimensions to ensure uniform illumination and eliminate shadows. Circular and rectangular openings on work surfaces serve both as integrated cable management solutions and as intriguing visual accents. Even the wiring beneath the desks is thoughtfully concealed using flanged metal conduits—commonly employed for high-pressure installations—thereby removing any visual distractions and echoing the precision prized in industrial design.
A measured touch of cobalt blue is tastefully introduced in lamp bases, seat cushions, and curtains throughout the KUBRICK office, subtly reflecting the company’s color identity. For Ching-Ju Chen, design transcends mere visual presentation; it harmonizes function and form to create an intuitive experience that is both minimalist and warmly engaging. Every precisely executed detail mirrors the brand’s product philosophy and embodies the minimalist adage “less is more.” Behind every subtraction lies deep contemplation and a systematic interpretation of pure form, ultimately forging a spatial language that is not only functional but also inherently “readable.”
