馥丘私空間

一方茶室是屋主一直以來的想望，沉穩的色調與透過藤編篩入的自然光，流淌成隨時光而動的無聲曲；思緒在此沉澱，卻不拘於斗室之中，思想可自由外溢，在深具彈性的空間中自由複合。設計者靈活運用借景、框景、端景等手法，讓生活於其中的人們以及直立面的每一處開口都與光影共同刻劃成空間內「一步一刻一景」的主要元素。除了基本住宅機能，屋主更希望空間成為藝術創作的載體，有個性而不張揚，兼容無限發想的可能。

The tearoom has always been a dream of the homeowner, where the serene color palette and the natural light sifted through the woven rattan create a silent melody that ebbs and flows with time. Here, thoughts are allowed to settle, yet not confined within the small space, letting ideas freely overflow and intermingle in the flexible environment. The designer skillfully employs techniques such as borrowed scenery, framed views, and endpoint views, enabling the inhabitants and every opening on the vertical surfaces to jointly define the space with light and shadow, emphasizing the essential elements of 'every step, every moment, every scene'. Beyond basic residential functions, the homeowner also wishes for the space to serve as a vessel for artistic creation, possessing personality without being ostentatious, and accommodating the potential for limitless imagination.

空間色彩圍繞著屋內略帶斑駁歷史感的灰色地板磚展開，一般住宅少見的深色系成為體現質感的途徑；材質表面紋理皆被盡量保留，無論是實木或手感磚本身細緻的凹凸質地，都能像毛細孔般地呼吸，更具時間推移、使用而演變的魅力。多元的自然材質看似複雜卻能相容無間，並與灰泥色的主調共頻；階梯上的紅磚，像是歡脫的破折號，但與自然材、老件的色調並不相悖，看似對比的色彩，已將印象中台北迪化老街地景彩度做了最佳的連結。

The color scheme of the space unfolds around the house's slightly mottled grey floor tiles that evoke a sense of history. The use of dark hues, rare in typical residences, serves as a means to showcase texture. The surface textures of the materials are preserved as much as possible, whether it's the solid wood or the fine relief of tactile tiles, they breathe like pores, enhancing their charm as they evolve over time and with use. The diverse natural materials, though seemingly complex, seamlessly integrate and resonate with the primary tone of grey plaster. The red bricks on the staircase, like a jubilant caesura, do not clash with the colors of the natural materials and vintage pieces. This apparent contrast in colors perfectly links the mental image of the colorful landscape of Taipei's Dihua Street old district.

入門玄關處即見毫無掩飾的外露階梯，暗示著二樓的存在，設計者將挑高3.6公尺的空間，巧妙配置成高度2.1公尺的茶室以及上層的閣樓臥室；穿過走廊後，一側的客廳與廚房則借重了整面低台度開窗引入的自然光線，顯得豁然開朗。循磚紅階梯轉上二樓，在轉角處的開口彷彿瞬時的動態影像，讓梯間過道成為風景；光線透過框景開口隱約地灑入閣樓，不僅柔和了淺泥灰的臥室立面，框外的四季變化也如畫般映入眼簾。

Upon entering, an unmasked staircase immediately greets visitors at the entrance, hinting at the existence of a second floor. The designer ingeniously utilizes the 3.6-meter-high space to create a 2.1-meter-high tearoom and an upper-level loft bedroom. Passing through the hallway, the living room and kitchen on one side benefit greatly from the natural light streaming in through the full-length low-rise windows, making the space feel bright and open. Ascending the brick-red staircase to the second floor, the opening at the corner appears like a fleeting dynamic image, turning the stairwell passage into a scenic view. Light filters through the framed view into the loft, not only softening the light mud-grey façade of the bedroom but also bringing the changing seasons outside the frame into view, like a living painting.

當陽光恣意地漫射在開口處的灰泥牆體產生豐富的表情，活動藤編門片的濾光性在錯落之間流淌出光與影的時光變奏，營造了空間的立體質感。在茶室兩側以拉門及折疊門的方式，創造出不同的採光效果，藤編門片的雙向透光性，使光源無論由內而外或由外而內，都能展現不同的雅趣，運用相同材質嵌入收納櫃作為客廳端景，同時界定了與廚房的空間，透入的光線彷彿打上柔光，濾過成一道道詩意的剪影。

When sunlight freely diffuses across the plastered walls at the opening, creating rich expressions, the playful interplay of light and shadow through the movable rattan door panels brings a time-varied nuance, crafting a three-dimensional texture for the space. On both sides of the tearoom, sliding and folding doors are used to create different lighting effects. The bi-directional translucency of the rattan door panels allows the light, whether coming from inside or outside, to display distinct elegance. Incorporating the same material into the storage cabinets at the end of the living room not only demarcates the space from the kitchen but also allows the incoming light to cast a soft glow, filtering through to form poetic silhouettes.

屋主亦為設計相關科系出身，與設計者的美感頻率高度契合，選搭的家具軟件與空間設計相得益彰。一盞茶缽富有深蘊的落灰釉色、客廳中兩三張藤椅各異的姿態，盡顯雅意，而這個空間也將隨其靈感持續演化。設計者樂見空間與使用者的對話，對其而言，經典本應是因時而變，才能歷久彌新。

The homeowner, also from a design-related academic background, resonates highly with the designer's aesthetic frequency. The chosen furniture and soft furnishings complement the spatial design beautifully. A tea bowl with a deep, ash-glazed color and two or three rattan chairs in the living room, each with a distinct posture, exude elegance, and this space will continue to evolve with the inspiration of its inhabitants. The designer appreciates the dialogue between the space and its users. For them, a classic should evolve with time to remain perpetually fresh and new.