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MxD house

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

在四口之家,光是自由流動的、空間可自在流用,如設計者形容:「活水般,不存在停止流動的空間」。每個角落皆成一道風景,卻恰 如其分的彼此融合,多面性讓居家即是靈感泉源。案例原始狀態為毛胚屋,光與窗景是最受屋主喜愛的特質。

 

In this "home" for four, light flows freely, and space is versatile, as described by the designer: "It's like living water, with no space that stops flowing." Every corner becomes a scenic view, yet they integrate seamlessly with one another. Its multifaceted nature turns the home into a source of inspiration for the homeowner.
 

 

案例原始狀態為毛胚屋,光與窗景是最受屋主喜愛的特質。透過設計以家庭成員互動頻度最高的餐廳為核心,輻射擴散安排客廳、主臥、臥榻房(孝親房)、兒童房等各種空間機能,讓坐在餐廳辦公的屋主能夠環視孩子自由穿梭在每個空間中,無須時刻貼近卻能隨時照顧其所需。


The original state of the case was a rough-finished house, with light and window views being the homeowner's most cherished features. Through the design, the dining room, where family members interact the most, was made the core. From there, the arrangement radiates out to the living room, master bedroom, guest room (devoted to parents), children's room, and other functional spaces. This design allows the homeowner working in the dining room to overlook the children as they freely move between rooms, being able to care for their needs without always being close by. 
 
 
 

 

 

 

 

天花板高度從餐廳向客廳漸次提高,視覺上朝正北的開窗舒展開來,陽明山山景成為讓空間無限延伸的端景,餐廳上方天花板下降空間正可容納吊隱式設備。電視牆突出於客廳之中則是精準計算的成果,滿足主臥步入式衣帽間的需求,也定義出玄關至餐廳的過渡帶,主臥前短廊則足以暗示隱私性空間的轉換。電視牆鈍化圓角的語彙,延伸成白色立面上的圓、弧與拱,譜出溫馨而輕快的節奏。而素色立面展現了最大的包容性,無論是表情豐富的人字拼淺橡木色地板,或是量體輕盈的木格柵門,甚至是個性家具,皆能藉以共融。

 

The ceiling height gradually increases from the dining room to the living room, visually stretching towards the north-facing windows, making the view of the Yangmingshan mountain range an endless backdrop to the space. Above the dining room, the lowered ceiling is perfectly designed to accommodate recessed fixtures. The protruding TV wall in the living room is a result of precise calculations, fulfilling the needs for a walk-in closet in the master bedroom while defining the transition zone from the entrance to the dining room. The short corridor in front of the master bedroom subtly indicates a shift into a more private space. The TV wall, with its softened rounded corners, extends into circles, arcs, and arches on the white façade, creating a warm and lively rhythm. The neutral-colored façade displays maximum inclusivity, whether it's the expressive herringbone-patterned light oak flooring, the lightweight wooden grille door, or even unique furniture, all harmoniously integrate with it.
 
 

 

 

 

 

主臥木質床頭櫃對映暖色系窯變磚電視牆;主浴廁釉面長條馬賽克磚搭配不鏽鋼金屬收邊;屋主期待的多面性和觸手可及的生活美學,在不同材質間細膩的堆疊與轉換間達成。主浴廁設計了對向公共性空間的玻璃磚,家人能夠藉由光影移動掌握彼此的動向,對幼童而言尤是安全感來源。

 

The master bedroom features a wooden headboard that contrasts with the warm-toned brick-patterned TV wall; the master bathroom showcases glazed elongated mosaic tiles complemented by stainless steel edging. The homeowner's desire for versatility is achieved through the intricate stacking and transitions of different materials. The master bathroom incorporates glass bricks facing public spaces, with the intent that family members can discern each other's movements through the shifting play of light and shadows. This design offers a heightened sense of security, especially for young children.
 
 
 

 

 

幼童的情感互動及未來成長需求得到充分尊重。客臥目前僅留設最小的睡眠需求空間,但透過臥榻房兩向開門,讓客臥─臥榻─客廳形成彼此流用的空間。臥榻是親子共處時間最長的所在,早晨陽光中的疏懶、傍晚夕陽餘暉的擁抱、夜晚點點星光下的絮語,無一刻不充實。

 

The emotional interactions and future growth needs of the young child are fully respected. The guest bedroom currently retains only the minimal space required for sleeping. However, through the doors on both sides of the guest room, it, the daybed area, and the living room form a series of interconnected spaces. The daybed area is where parents and child spend the most time together: lazy mornings bathed in sunlight, embraces in the lingering glow of the evening sunset, and nighttime chats under the speckled starlight; every moment is enriched.
 

大面積開窗讓自然光自由的向內部流動,人造光源則為氛圍的營造者。夜晚,屋內沒有亮如白晝的照明,城市光景透過窗戶與屋內產生靜謐的互動,以無聲的方式打破建築的封閉感。

 

Expansive windows allow natural light to flow freely into the interior, while artificial lighting sets the ambiance. At night, the lighting inside the house isn't as bright as daylight. The city's lights interact tranquilly with the home's interior through the windows, breaking the enclosed feel of the architecture in a silent manner.
 
 

 

 

 

「大多數空間設計者是務實的,設計最終應回歸屋主的喜好,才能呈現空間獨特個性。」屋主可能藉由不同管道獲取大量參考資訊,設計者需以專業角度協助釐清真正符合需求且可實踐的最大公約數。「1/10的設計,加上9/10的聆聽、溝通與協調」,適人適性空間的生成,從來就不是設計者單方面喜愛的輸出。

 

"Most spatial designers are pragmatic. The design should ultimately reflect the homeowner's preferences to showcase the space's unique character." Homeowners might gather a vast amount of reference information through various channels. Designers need to use their professional perspective to help clarify the greatest common factor that truly meets the needs and is feasible. "1/10 of design, coupled with 9/10 of listening, communication, and coordination," the creation of a space that fits the individual has never been about the unilateral output the designer prefers.
 
 
Design Studio | Habitat Architects . loaa studio
Photography | suiyu studio  @suiyustudio
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