This is the venue design for an exhibition related to the sea held at the Spiral gallery, a representative work of Japanese architect Fumihiko Maki, located in Omotesando, Tokyo.
We proposed to suspend three different colored fishing nets above the venue to express the color of the sea. The dark red fishing net at the top is actually used for fishing, and the middle and lower nets are blue and green dyed fishing nets.
The reason why the sea looks blue is that colors other than blue are absorbed by the seawater. Even though the color is called blue, it looks different depending on such as the depth, floating matter in the sea.
These three colors of fishing nets also look different depending on the position and the angle visitors stand on, and connect multiple spaces while changing as if visitors were in the sea.
Since the exhibition is a short period and needs to be set up and dismantled in a limited amount of time, we designed the details so that they can be easily attached and detached. The used fishing nets can be recycled after the exhibition.
蒼海上的穹頂
這是在東京表參道的Spiral畫廊舉辦的一個與海洋相關展覽所設計的場地，該畫廊是日本建築大師槙文彥的代表作之一。
我們建議在會場上方懸掛三種不同顏色的漁網，以傳達海洋的顏色。最上方的深紅色漁網實際上用於捕魚，而中間與下方的漁網分別染成藍色和綠色。
海洋之所以看起來是藍色，是因為除藍色外，其他顏色的光線被海水吸收掉了。即使海洋看起來是藍色，但會因深度、海中漂浮物等因素呈現出不同的樣子。
這三種顏色的漁網會因觀眾所站的位置和角度不同，呈現出不同的樣貌，讓觀眾有置身於海洋中，且空間同時不斷變化的感覺。由於展期很短，我們需在有限的時間內進行搭建和拆除，因此細節設計上，要使其（漁網）易於安裝和拆卸，而用過的漁網可在展覽後進行回收再利用。
