

➤ Photo: Rory Gardiner. Kunsthaus Baselland, ‘Rewilding’, Münchenstein / Basel, 2024. Tony Cokes in collaboration with MOS Architects NYC, <Design.Sociality.Space> (4 Studies 4 A Club), 2024.
Kunsthaus Baselland
A building’s renewal is never merely a matter of repair. It is an attempt to extend the life of a space and allow it to take on a new purpose. Few long-time residents of Switzerland’s Dreispitz district could have anticipated that a former champagne warehouse—once one of many elongated storage buildings in the area’s characteristic linear arrangement—would be transformed into a site for contemporary art. Since the Kunsthaus Baselland moved into the former warehouse in 2024, visitors have been able to trace, through their movement in the galleries, how Buchner Bründler Architects intervened in the structure and reinterpreted it. The warehouse’s original components are reactivated within the new program, their presence shaping a spatial narrative together with the contemporary elements introduced into the building.
➤ Photo: Rory Gardiner. Kunsthaus Baselland, ‘Rewilding’, Münchenstein / Basel, 2024. Pipilotti Rist. 香港中環吊燈 <Central Hong Kong Chandelier>, 2021. © Pipilotti Rist / 2024, ProLitteris, Zurich. Courtesy the artist, Hauser & Wirth and Luhring Augustine. Monira Al Quadiri
➤ Photo: Rory Gardiner. Kunsthaus Baselland, ‘Rewilding’, Münchenstein / Basel, 2024.
Tony Cokes in collaboration with MOS Architects NYC,
<Design.Sociality.Space> (4 Studies 4 A Club), 2024.
➤ Photo: Rory Gardiner.
Kunsthaus Baselland, ‘Rewilding’, Münchenstein / Basel, 2024.
Tony Cokes in collaboration with MOS Architects NYC,
<Design.Sociality.Space> (4 Studies 4 A Club), 2024
➤ Photo: Rory Gardiner
Seen from a distance, three prismatic light towers appear as slender vertical volumes threaded between the existing steel framework. Their height and sharply defined edges give the museum a clear long-range silhouette. These tower-like forms draw zenithal light deep into the hall, creating an even, luminous environment that makes the institution immediately identifiable. While preserving the warehouse’s steel trusses, Buchner Bründler Architects inserted a new structural system that both supports and reorganizes the interior. The prismatic light towers are anchored to the existing foundation at three points, forming the core of an internal spatial matrix. Alongside them, a sinuous cast-in-place concrete volume moves through the hall, generating a second exhibition level. This layered terrain encourages visitors to navigate the galleries dynamically; looking upward, they find daylight cascading through the light wells and diffusing across the different zones.
➤ Photo: Rory Gardiner. Kunsthaus Baselland, ‘Rewilding’, Münchenstein / Basel, 2024.Renate Buser, Switchback, 2024, Analoge Fotografie, digitalisiert.Print auf Bodenfolie, ca. 1000 × 1000 cm.
➤ Photo: Rory Gardiner. Kunsthaus Baselland, ‘Rewilding’, Münchenstein / Basel, 2024. Naama Tsabar, <Melodies of Certain Damage series>
























