項目概況

項目坐落於北京通州區張家灣鎮的皇木廠村內，這裡沒有農田，更像是京城的後花園，一棟棟長相一致的小房子，白牆紅窗，仍然可以讓人感受到皇家新村600餘年悠久歷史的韻味。建築位於村口西北角的醒目位置，是一棟兩層磚混結構的小樓，原本作為民房及辦公使用，多麼工作室受委託對其進行改造設計，作為睡眠研究所在北京環球影城周邊設立的首個民宿項目，飽經風霜的外牆和被風吹掉渣的屋檐早已迫不及待地希望有人來為它翻新和修復。

Project overview

The project is located in Huangmuchang Village, Zhangjiawan Town, Tongzhou District, Beijing. There is no farmland here, but it is more like the back garden of Beijing. The small houses with the similar appearance, white walls and red windows, the 600-year history of the Royal New Village can still be felt here. The building is located in the eye-catching position in the northwest of the village. It is a two-story brick-concrete building, originally used as residential and office. Atelier d’More was commissioned to renovate the space, as the sleep Institute's first B&B project near Beijing Universal Studios. The weather-beaten exterior walls and wind-blown eaves are eager to be refurbished and restored.

營造風景的建築意圖

周邊的環境缺少景色的條件下，我們決定製造向內的風景，營造出一個別具意趣的私密花園，於是便有了圍合式庭院空間的設計構想，僅在南側圍牆上開拓少許框景式的洞口，除了藍天白雲，紛雜與喧囂都被隔離在牆外，而院內建築的大玻璃窗，則積極地引入庭院內的景與光盡，成為室內空間體驗的一部分。

我們將100平方公尺的矩形院落分解成了多個半圍合的小院子，試圖營造出內向性的內院環境，每個院子會有一顆小樹作為主角（由於是冬季完工，小樹還未栽種），院落之間形成一種有機的聯繫，並且在多層次空間的營造下讓茶室、客房、圍牆與院子發生一系列的互動關係，當使用者進入其中，都能以他們自己的方式和視角閱讀到建築的內在。建築的容器作用便得以體現，影隨光動，人移景異，讓建築空間富有一番詩意。

The architectural intention of creating a landscape
Given the lack of scenery in the surrounding environment, we decided to create an inward view and create an interesting private garden, which led to the idea of the enclosed courtyard space. Only a few viewing frame are opened on the south wall. In addition to the blue sky and white clouds, the chaos and noise are isolated from the wall. The large glass windows of the building actively introduce the scenery and light of the courtyard, becoming a part of the indoor space experience.

We divided the rectangular courtyard of 100 square meters into several small semi-enclosed courtyards, trying to create an inner courtyard environment. Each courtyard will have a small tree as the protagonist (since it is completed in winter, the tree has not been planted), an organic connection is formed between the courtyards, and a series of interactions between tearoom, guest rooms, walls and the courtyard are created under the multi-level space. When users enter the building, they can read the interior of the building in their own way and perspective, so the container function of the building can be reflected. The shadow moves with the light, and the scenery changes with people, making the architectural space full of poetry.

自由而流動

建築與室內的設計語言是以一道1/4圓弧為出發點，以嚴謹的態度自由地流動在空間里，通過幾何構成的方式來增加建築的張力。立面上向外延申的建築體塊，以流動的姿態向自然靠近，將建築、自然與人的距離拉近。而白色的外牆使得建築變得抽象而有雕塑感，通過白色材質的渲染模糊了牆和頂的界限，流動的空間和自然的光線交融在一起，帶給人純粹的體驗和想象的空間。

Free flow

The design language of the architectural and interior is based on a quarter arc, which flows freely in the space with a rigorous attitude and increases the tension of the building by means of geometric composition. The outward extension of the building block on the facade is close to nature in a flowing posture, bringing the distance between architecture, nature and people closer. The white facade makes the building abstract and sculptural, through the rendering of white material, the boundary between the wall and the top is blurred, and the flowing space and natural light blend together, bringing people a pure experience and imagination space.

組裝「玩具」

多麼工作室在預製化拼裝組合傢具設計製作上已實踐多年，不同於製造業，傳統裝修行業自動化進程發展緩慢，而我們組裝傢具的理念相當於施工開啓了自動擋，容易程度甚至可以讓業主親自操作。我們把這種組裝傢具看成是大塊的玩具，讓原本枯燥的施工作業成為了遊戲，工人、設計師、業主都能享受其中的過程。室內的很多軟硬裝都可以用預製組件在現場組合拼裝，在我們多個項目上也已經得以實現，這一設計手法的應用，對於低建造成本的項目非常有意義。

Assembling “Toy”

Atelier d’More has been engaged in the design and production of prefabricated assembled furniture for many years, different from the manufacturing industry, the traditional decoration industry automation process develops slowly, and our concept of furniture assembly is equivalent of turning on automatic gears for construction, that the clients can even operate themselves. We regard this kind of assembling furniture as a big toy, making the boring construction work become a game, the workers, designers and owners can enjoy the process. Many of the interior soft and hard decorations can be assembled on-site with prefabricated components, which has been implemented in many of our projects. The application of this design method is very meaningful for low construction cost projects.

詩意盎然的白

該項目在成本控制方面是及其嚴苛的，怎樣用最簡單的材料與工藝，創造出最與眾不同的空間體驗是我們在此項目中思考的課題。怎樣一種顏色能描繪出夢的色彩，那就是一望無際的「白」。在這個白色的空間里，一切都顯得格外真實、純粹,像掉落進棉花糖里的螞蟻，這裡只有遠離外在世俗的故事。在處理牆與牆的交接線的時候我們格外留心，每一根線就像是勾勒出這個夢的網，我們希望用最簡潔的語言編織出最淳樸的夢境。像霧一樣湮滅在視線里，消失在那詩意盎然的「白」里。

Poetic white

This project is extremely strict in cost control. How to use the simplest materials and techniques to create the most distinctive space experience is the topic we think about in this project. What color can describe the color of dreams, that is the endless "white". In this white space, everything seems extraordinary true and pure, like an ant falling into a marshmallow, there are only stories far from the outside world. We pay special attention when dealing with the line of wall to wall, each line is like the web that outlines the dream, we hope to weave the most simple dream with the simplest language. Like fog annihilate in the line of sight, disappear in that poetic "white".