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Environmental Consciousness

 
 
➤ Terme di Caracalla’s Brick. Inkjet print,Awagami paper, wax, metal, 80x60 cm / 60 x 40 cm

 

環境意識：王瑄琳個展

Xuanlynn Wang Solo Exhibition

 
 

我想要你在牆上幫我畫一幅畫、無須畫筆、無須顏料，只須時間與風雨，便美的淒涼。

 

 

I want you to draw a painting on the wall, without a brush or pigment. Only time and nature could render it bleak but beautiful.
 
 
 

《環境意識假設》倘若我們所生活的世界環境存在於一種環境意識之中，這些意識近似無形且無所不在的元素，圍繞著我們的身體，透過呼吸、動作和經驗，不斷地向我們的潛意識輸入信息。

 

 

The Environmental Consciousness Hypothesis assumes that the world’s environment in which we live exists within environmental consciousnesses. These resemble invisible and omnipresent elements surrounding our bodies, consistently generating inputs that are processed in our subconscious through breath, movement, and experience.
 
 

在王瑄琳的藝術作品裡，將這一理念的具體呈現。她的創作融合了象徵自然環境的材質與人體形態，專注於捕捉稍縱即逝的細節瞬間，並透過攝影的視角來定格這些時刻，結合她所使用的媒材創造出獨特的視覺語言，促使人們深刻反思有機世界的內在美之於我們與其之間的深刻連結。

 
 
 
Xuanlynn Wang's artworks stand as a testament to this mission, embodying a fusion of the natural environment—symbolized by the materials she employs—and the human form. She focuses on capturing the subtle details of fleeting moments and encapsulates them through the lens of photography. This synthesis of mediums gives rise to a distinctive visual language, prompting profound reflections on the intrinsic beauty of the organic world and our deep connection to it.
 
 
 

瑄琳的藝術視野中，物件與周圍環境之間的共生關係是創作的核心。她認為，藝術是個體、是自然世界與我們內在的創造欲望之間，有著錯綜複雜依存關係的見證，透過將這些元素纏繞在一起，邀請參觀者思考我們與環境的關係以及探索藝術變革的力量。 

 

 
 
At the heart of Lynn's artistic vision lies the symbiotic relationship between objects and their surroundings. Lynn contends that art manifests as a testament to the intricate interdependence between individuals, the natural world, and our inherent desire for creative expression. By weaving these elements together, she invites viewers to contemplate the significance of our relationship with the environment and the transformative power of artistic exploration.
 
 
 
 
 

本展覽探討了環境如何影響我們的意識和對現實的感知，進而重塑你、我的認知，並在藝術中重構形態與質地，此覽從記錄不同城市樣貌和細節的攝影膠片為始，這些影像被嵌入蠟中——其材質因天然的可溶性、可塑性和可再利用性而被選用——創造出多樣的形式與質感，透過這些合成的環境來重新建構空間與材料，邀請參觀者探索人類與周圍環境的關係，並沉浸於感官體驗之中。

 
 
 
The exhibition explores how the environment influences our consciousness and perception of reality, thereby reshaping our cognition and reconstructing contours and textures in art. Beginning with analog photography, documenting the diverse appearances and details of various cities. The photographs are then embedded in wax—a material chosen for its natural solubility, plasticity, and reusability—creating various forms and textures. By reconstructing space and material through these synthetic environments, inviting viewers to explore the relationship between humans and their surroundings, engaging them in a sensory experience.
 
 
 
 
 
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