➤ 「花心」展場一隅
花心——宜德思・盧信+尤佑倍苓創作展
Flower n Heart: Idas Losin and Yuyoh Peilin Duo Exhibition
這是一趟橫跨兩代的尋根之旅，身為母女檔的原住民女性藝術家——母親尤佑倍苓（Yuyoh Peilin）用編織追溯自祖母傳承的文化源頭，女兒宜德思・盧信（Idas Losin）用畫筆模擬織紋，向南島出發尋找族群漂泊的根系。媒介不同，但都執著地發出對身份認同的叩問：我來自何方？又該去向何處？
“Flower n Heart” traces a journey of cultural roots across two generations of Indigenous women artists. Mother Yuyoh Peilin explores the cultural heritage inherited from her grandmother through weaving, while daughter Idas Losin uses painting to mimic woven patterns, seeking her Austronesian roots and the diasporic paths of her community. Different in media, both share a persistent inquiry into identity: Where do I come from? Where am I going?
➤ 宜德思・盧信與尤佑倍苓 （Idas Losin & Yuyoh Peilin），〈心臟〉（Heart），2025
尤佑．倍苓同時也是 113 年教育部終身奉獻獎獲獎者。她出身花蓮太魯閣族，遠嫁至烏來部落成為泰雅族媳婦。憑藉著對編織的天份與愛好，不只學習泰雅族編織，也回到太魯閣族學習祖傳的菱形織紋，再跨區跨族到鄰近的賽德克族去學習；甚至遠至南投埔里，向平埔族群巴宰後裔學習十字繡法。數十年的努力與累積，使編織成為她梳理內在文化連結、並向世界表達自我的獨特語言。
Yuyoh Peilin, a recipient of the Ministry of Education’s 113th Lifetime Dedication Award, was born in Hualien as a member of the Truku community and married into the Atayal community of Wulai. Guided by her talent and passion, she mastered Atayal weaving techniques, returned to her Truku roots to study ancestral diamond patterns, extended her practice to the neighboring Seediq community, and even traveled to Puli in Nantou to learn cross-stitch from the descendants of the Pazeh Plains Indigenous people. Decades of dedication have made weaving her unique language for connecting with culture and expressing herself to the world.
➤ 尤佑倍苓（Yuyoh Peilin），〈編織〉（Tminun），2025
在原住民文化中，編織承載著族群的記憶，並象徵身分的傳承和母系知識的流動，使得這項技藝在原住民的創作中別具細緻而深遠的意義。年輕的女兒不會織布，然而內心卻被紋面的念想所牽引。宜德思・盧信轉而以繪畫與裝置等形式展現內在感知與生命經驗，同樣透過線與色的交織，圖騰紋樣的象徵，來表達對自我身份的認同，與對傳統技藝的嶄新詮釋。
In Indigenous cultures, weaving carries collective memory, symbolizes the transmission of identity, and embodies matrilineal knowledge, giving this craft profound significance. While Idas Losin does not weave, she is drawn by the symbolism of facial tattoo patterns. Through painting and installation, she translates inner perceptions and life experiences, interlacing lines, colors, and totemic motifs to express self-identity and reinterpret traditional craft.
➤ 尤佑倍苓（Yuyoh Peilin），〈編織〉（Tminun）作品細節，2025
展覽中，由母女共同創作的大型作品《編織生命的紅》，以尤佑．倍苓親手栽種、收集十年的苧麻製作而成。苧麻是泛泰雅民族用做傳統服飾上的線材，這件作品揉進了對土地的記憶與對生命的崇敬，透過編織手藝使其像鮮活的植物一樣，綻放出新生命。「它是根源，它是綻放，它是花，它是生命流。」它乘載的是數代人的創作智慧，以及原住民族的集體記憶。
A highlight of the exhibition is the large-scale collaborative work “Weaving Life’s Red”, created from ramie cultivated and collected by Yuyoh Peilin over ten years. Traditionally used by the Atayal for clothing fibers, this piece carries memories of the land and reverence for life. Through weaving, the fibers come alive, blooming with new energy. “It is roots. It is blossoming. It is flower. It is the flow of life.” The work embodies generations of artistic knowledge and the collective memory of Indigenous peoples.
➤ 宜德思・盧信與尤佑倍苓（Idas Losin & Yuyoh Peilin），〈編織生命的紅〉（Weaving the Blossom of Life），2020-2025
➤ 宜德思・盧信與尤佑倍苓（Idas Losin & Yuyoh Peilin），〈編織生命的紅〉（Weaving the Blossom of Life），2020-2025
展覽題名為「花心」。花瓣所包覆的花心，猶如在華麗布匹花樣中，那顆為文化血脈怦然跳動的心臟。取心之意象，點出個體與集體、過去與當代間的交流，也為兩代創作者之間織就一條追本溯源，異曲同工的歸鄉之路。
The exhibition title “Flower n Heart” evokes the heart enclosed by petals—like the beating heart at the center of intricate textile patterns, pulsing with cultural lifeblood. This motif highlights dialogue between individual and collective, past and present, and weaves a symbolic pathway of return for the two generations of artists.
➤ 「花心」展場一隅 （新北市美術館提供，攝影｜狐色影像製作）