➤ DD #2 Pale Blue, 2020-2023, Silicone, 61 x 61 x 61 cm / 24 x 24 x 24 in© Paul McCarthy    

2024 首爾弗里茲藝博會-Hauser & Wirth

Hauser & Wirth 回歸弗里茲首爾藝博會，聚焦畫廊頂尖藝術家的傑出創作，其中多位於今年舉辦重要美術館及機構展覽。展位將呈獻麗塔·亞克曼、路易絲·布爾喬亞、弗蘭克·鮑林（Frank Bowling）、馬克·布拉德福特、凱瑟琳·古德曼、珍妮·霍爾澤（Jenny Holzer）、羅尼·霍恩（Roni Horn）、露琪塔·烏爾塔多（Luchita Hurtado）、格蘭·里根、保羅·麥卡錫（Paul McCarthy）、安杰爾·奧特羅、尼古拉斯·帕蒂、艾芙瑞·辛格、安傑·史密斯（Anj Smith）、帕特·斯蒂爾（Pat  Steir）、亨利·泰勒（Henry Taylor）、基斯·泰森（Keith Tyson）、安貝拉·韋爾曼及芙洛拉·尤赫諾維奇的精彩作品，展現畫廊跨代際藝術項目的廣度與深度。

Hauser & Wirth will return to Frieze Seoul this year with a presentation focused on its celebrated gallery artists, with works by those with important museum and institutional projects this year. At the fair, visitors will discover exceptional paintings by Rita Ackermann, Louise Bourgeois, Frank Bowling, Mark Bradford, Catherine Goodman, Jenny Holzer, Roni Horn, Luchita Hurtado, Glenn Ligon, Paul McCarthy, Angel Otero, Nicolas Party, Avery Singer, Anj Smith, Pat Steir, Henry Taylor, Keith Tyson, Ambera Wellmann, and Flora Yukhnovich, reflecting the diversity and depth of the gallery’s cross-generational program. 

➤ Louise Bourgeois, 'Femme', 2003

Ambera Wellmann、Catherine Goodman、Glenn Ligon、Angel Otero 、 Flora Yukhnovich 今年創作的新作將首度亮相豪瑟沃斯展位。此外，由藝術家工作室直出的焦點作品包括：

The booth will debut new works made this year by Ambera Wellmann, Catherine Goodman, Glenn Ligon, Angel Otero and Flora Yukhnovich. Other highlights straight from the artists' studios include:

• Anj Smith的新作《自由落體》（Free Fall，2024），捕捉了藝術家的動態視覺修辭。辛格採用計算機程序的二進制語言和工業材料，與繪畫傳統和現代主義遺產進行交互。作品標題「自由落體」體現了藝術家的個人感悟，辛格在青少年時期親眼目睹了紐約     9/11 恐怖襲擊，這一創傷經歷為作品注入了自傳色彩。

• A new work by Avery Singer, ‘Free Fall’ (2024), capturing the artist‘s dynamic visual rhetoric that employs the binary language of computer program and industrial materials while engaging with the tradition of painting and the legacy of Modernism. The title holds further personal resonance for the artist, reflecting on the traumatic events of 9/11 in New York, which she witnessed firsthand as a teenager, instilling an autobiographical layer to the work.

➤ Avery Singer, 'Free Fall', 2024

➤ Rita Ackermann, 'Transparent Shutters', 2024

•《透明百葉窗》（Transparent  Shutters，2024）為 Rita Ackermann 最新作品系列的傑出範例。藝術家通過堆疊與消除層疊的具象圖像和勢態筆觸，創作出了質感豐富、飽含能量與動感的畫面。作品似乎游離於不斷形成與重塑的狀態中，各種形狀與人物甫被識別即走向消融。

• Rita Ackermann's ‘Transparent Shutters’ (2024), a remarkable example from the artist’s newest body of work. By building up and removing layers of figurative imagery and gestural brushstrokes, the artist creates a highly textured canvas that brims with energy and movement. The work appears to be in a constant state of forming and reforming, with various forms and figures dissolving almost as soon as they are detected.

➤ Anj Smith, 'Artist's Tools II', 2023

展位呈獻於 2024 年推出重要美術館展覽及機構項目的藝術家作品，包括即將於韓國湖巖美術館亮相的尼古拉斯·帕蒂、參展光州雙年展的 Gwangju Biannale；以及於德國柏林漢堡車站美術館舉辦個展的 Hamburger Bahnhof, Berlin。

Featured in the presentation are works by artists with major 2024 museum and institutional projects, including, in South Korea, Nicolas Party at Ho-Am Art Museum and Ambera Wellmann at Gwangju Biannale; and in Germany, Mark Bradford at Hamburger Bahnhof, Berlin. 

•與Louise Bourgeois在日本東京森美術館的展覽交相輝映，藝術家卓越非凡的晚期力作《女人》（Femme，2003）反映其對生命循環的持續關注——出生與死亡、成長與衰敗的兩極性——以及她在現實中歷經聚散變遷的不安。

• Complementing Louise Bourgeois's exhibition at Mori Art Museum Tokyo in Japan, ‘Femme’ (2003) is an extraordinary and significant late work that reflects on the artist’s persistent concerns with the cycles of life—the polarities of birth and death, growth and decay —as well as her anxiety over the reality of separation and togetherness. 

➤ Ambera Wellmann, 'Skellein', 2024

➤ Henry Taylor, 'Blue Period', 2023

更多展位亮點涵括：

Further show-stoppers include:

•Henry Taylor 的畫作《藍色時期》（Blue Period，2023），堪稱其卓越繪畫歷程的集大成之作。泰勒根據報紙上的無名肖像描繪了畫中人物，頌揚了黑人文化與歷史。如標題所示，這幅作品援引了藝壇巨擘巴勃羅·畢加索（Pablo   Picasso）傳奇的「藍色時期」（1901-1904）。

•Henry Taylor's 'Blue Period' (2023), epitomizing his prodigious painting process. Celebrating Black culture and history, this work  depicts a figure based on an anonymous portrait the artist found in a newspaperand,as the title affirms, references the storied Blue Period (1901-1904) by famous master Pablo Picasso.

➤Border Barrier, 2023, 24k gold and moon gold leaf and oil on linen, 61 x 46.4 x 3.8 cm / 24 x 18 1/4 x 1 1/2 in© (2024) Jenny Holzer, member Artists Rights Society (ARS), NY

➤ Pat Steir, 'Rainbow Waterfall #6', 2022

Hauser & Wirth

展位｜A19，9月 4 – 7 日首爾 COEX，Hall C