解構：新空間第十九屆威尼斯建築雙年展塞爾維亞館

解構：新空間

《UNRAVELING: NEW SPACES》

你曾思考過以羊毛作為建材使用嗎？這個並不陌生，在日常中柔軟、可變的材料，極少出現在建築領域中。第 19 屆威尼斯建築雙年展塞爾維亞館策展團隊以「解構：新空間」命題，由建築師 Slobodan Jovic 策劃，與 Davor Eres、Jelena Mitrovic、Igor Pantic、Sonja Krstic、Ivana Najdanovic 和 Petar Lauševic 組成的跨學科團隊設計。刻意選擇這種不被視為「建材」的物質，來挑戰建築的傳統定義，邀請你探索建築並非是剛性、永固或不可逆的形式。

Have you ever imagined wool as a building material? Familiar in its softness and versatility, wool rarely makes its way into the realm of architecture. Yet at the 19th International Architecture Exhibition – La Biennale di Venezia, the Serbian Pavilion boldly subverts that norm. Titled UNRAVELING: NEW SPACES, the project is curated by architect Slobodan Jović and developed by an interdisciplinary team including Davor Ereš, Jelena Mitrović, Igor Pantić, Sonja Krstić, Ivana Najdanović, and Petar Laušević. Their collective effort challenges conventional notions of architecture by embracing a material that is fluid, reversible, and impermanent.

延承塞爾維亞手工藝的傳統，這座不停變化的沉浸式展館，完全是以塞爾維亞傳統文化重要工藝之一的羊毛編織建構築。本次展覽將這一傳統轉化為建築語彙，創造另類文化認同與當代設計的交會形式，其廣泛存在但極少運用與建築相關聯的材料。該館被設計為一種真正的循環式裝置，自展覽首日開始，它便透過演算法精準導引的緩慢編解過程，逐漸被時間塑形，直到展覽結束時徹底解構為原始的毛線素材。

Rooted in Serbian traditions of craftsmanship, the pavilion is constructed entirely from wool—a nod to the country’s rich legacy of textile arts. By transforming this ancestral medium into an architectural language, the installation opens a dialogue between cultural identity and contemporary spatial practice. Rather than producing a static structure, the team has conceived a fully cyclical installation—one that gradually weaves and unweaves itself over time, guided by algorithmic precision. From the opening day of the Biennale, the wool begins a slow transformation, unraveling itself until it ultimately returns to its raw form by the exhibition’s end.

本裝置不產生任何廢棄物，展期結束後，所有羊毛都會回復至原本的線狀形式。透過此舉，展館傳遞出對材料的尊重與關懷，邀請觀者重新思考建築的「非永久性」與「可變性」。運用塞爾維亞傳統細膩的編織工藝與當代建築語彙相互纏繞，呈現輕盈的裝置設計。這些裝置懸掛在屋頂之下，每片織片（尺寸為 1.2 x 5 公尺）呈現鏈狀垂墜，構成一片不固定形狀的紡織地景，透過由太陽能驅動的小型馬達緩慢牽引毛線，使其不斷「鬆動」「下垂」或「變形」。訪客可從多個角度與其互動，結合自然光線透過頂部核心天窗灑落，突顯羊毛層層堆疊的穿透、密度與柔軟的層次。

No waste is generated. All materials are returned to their original state—spools of yarn—reaffirming the installation’s core ethos of material care, reversibility, and ecological consciousness. This reversible process invites visitors to reflect not only on the impermanence but also the mutability of architecture—its ability to evolve, dissolve, and begin again. Suspended from the ceiling, wool panels measuring 1.2 x 5 meters cascade like soft chains, forming a textile landscape in constant flux. Solar-powered micro-motors guide the yarn’s descent, subtly shifting the pavilion’s volume through sagging, loosening, and deformation. As light filters through the central oculus above, the translucent layers of wool reveal a mesmerizing interplay of density, softness, and transparency.

展館呈現形式極為短暫，其樣貌總在不停變化中，使每次造訪者都可遇見不同的呈現。在六個月後，這些素材將回到最原初的狀態下，完全被解構：從毛線素材建構一個展館，再拆解重新回到原始模樣，形成一個完美的物質循環過程。雖然建築的形體已被解構，但其中的精神與寓意仍然存在，透過過程使觀者反思建築與材料循環性生命週期的隱喻。這場跨領域合作的成果，以詩意姿態融合塞爾維亞傳統手工藝與前沿研究的激盪，探討時間性與材料稀缺性的關係，而羊毛在緩慢分解過程中，形成有機具體的建築媒介，提醒我們：建築是一種有觸感的實踐，它也能具備演化、適應性與可再生的潛能並珍視其價值。

Visitors encounter an ever-evolving space—its form never quite the same from one moment to the next. Over the course of six months, what was once an immersive spatial volume dissolves back into a bundle of thread, completing a perfect material loop. This act of deconstruction becomes a poetic metaphor, calling into question the conventional life cycle of buildings and materials. UNRAVELING is more than an installation—it is an interdisciplinary investigation into the ways we build and the values we uphold. Merging Serbian textile traditions with cutting-edge research, the project addresses temporality, material scarcity, and circularity in a time of global precarity. Wool, in its slow unmaking, becomes a living architectural agent—demonstrating that architecture can be tactile, adaptive, and regenerative.

本屆塞爾維亞館強調跨學科協作，回應威尼斯建築雙年展策展人 Carlo Ratti 的主題，展現今日建築實踐的柔軟性、合作性與謙遜態度。面對急遽變動的環境與社會，建築應超越其傳統界限，與廣泛知識領域對話。策展團隊結合來自建築、時尚、能源與數位科技等領域的專業，以「關係的建築」應對材料與資源的稀缺問題。他們代表了跨世代、跨專業的新型建築實踐模式，融合傳統智慧、數位技術與集體創造力，為變動中的世界形塑新的建築語言。