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Fuhaus Presents "Palazzo Invisibile: A Fantastical Realm"
丰巢Fuhaus呈現「Palazzo Invisibile奇想逸境」
用感性和浪漫情懷探索 Edra 和 Bocci 雙品牌
繼去年以單一品牌特別展覽， Fuhaus 丰巢 今年再度呈現「 Palazzo Invisibile 奇想逸境」展覽，邀請室內軟裝專家，mmm 主理人 Milly Wu 發想，整體視覺呈現再次邀請 O.OO 策劃，以義大利家具品牌 Edra 和加拿大燈具品牌 Bocci 雙品牌概念展登場，透過一系列靜謐、曖曖氣氛的營造，邀請觀眾一同走入探索充滿浪漫情懷的居家空間。
Following last year’s single-brand exhibition, Fuhaus returns with its latest showcase, Palazzo Invisibile: A Fantastical Realm. Conceptualized by interior soft furnishing expert Milly Wu, founder of mmm, and visually curated by O.OO, this exhibition brings together the Italian furniture brand Edra and Canadian lighting brand Bocci to create an immersive home environment imbued with serenity and romance.
➤ Sherazade sofa
此次展覽以 Edra 的「Sherazade 雪哈德」沙發為主要的故事軸線。Sherazade 出自於中東經典故事《一千零一夜》，Sherazade 代表著一個善良聰慧的女子， 創造出一個個經典又迷人的故事，每個故事代表不同的意境及寓意，給聽著帶來許多想像，這些故事彷彿創造了一個又一個的宮殿，也創造岀許多奇想空間。「Sherazade 雪哈德」由 Edra 長年合作的設計師 Francesco Binfaré 設計，靈感來自東方的元素，以一個簡約的躺椅形式，搭配泰式三角形靠墊支撐，可以讓坐在上面的人，在完全沒有束縛的狀態下放鬆身心。
The centerpiece of this year’s exhibition is Edra’s Sherazade sofa, inspired by the Middle Eastern classic One Thousand and One Nights. Sherazade symbolizes a wise and kind storyteller who crafts mesmerizing tales, each evoking unique meanings and emotions. These stories, much like architectural palaces, inspire imaginative spaces. Designed by Francesco Binfaré, a longtime collaborator of Edra, the Sherazade sofa draws upon oriental elements, combining a minimalist chaise longue form with Thai-inspired triangular cushions for ultimate relaxation.
因此這次展覽將寬敞的一樓展示空間，將透過一系列的布幔來創造各式各樣的奇想空間。O.OO 從中古世紀宮殿的柱狀結構與拱門元素中汲取靈感，設計多種風格的宮殿柱形，並將布幔交錯排列，利用大大小小不同的比例與形狀拼湊在一起，因大小不一而產生柱子與空間之間的空間感，搭配細線、色塊等裝飾效果，增強其視覺層次感與細節，營造出彷彿置身在宮殿內的感覺，讓觀眾可以恣意的感受 Edra 和 Bocci 情感充沛的設計和細節。
The exhibition transforms Fuhaus’s expansive first-floor space into a series of imaginative realms using layered drapery and architectural columns inspired by medieval palaces. O.OO’s design features columns of varying styles and proportions, interwoven with flowing curtains and adorned with fine lines and color blocks. This interplay of shapes and textures creates a sense of depth, allowing visitors to immerse themselves in a palace-like environment that celebrates Edra and Bocci’s emotionally rich designs.
Edra：打破家具形式、材質、與性能上的可能性
Breaking the Boundaries of Form, Material, and Function
➤ On the rock
除了「Sherazade 雪哈德」外，還有兩件 Edra 的設計展出，其中「On the Rock」沙發同樣是 Francesco Binfaré 設計，是 Edra 的經典之作。以簡單的幾何造型單元設計，同樣沒有硬邦邦的骨架，可搭配隨意調整的靠墊，讓造型隨使用需求自由調整，創造出視線限制的獨特豪華空間體驗。這次展出的版本是「Minerals 礦石系列 」面料，以色彩斑斕、半透明或折射著光線的礦物表面為靈感，讓沙發從不同角度皆能隱隱閃爍著光芒；另外一件則是靈感來自米蘭大教堂建築立面的「Milano 米蘭椅」，由 Jacoppo Foggini 設計，有著高瘦的外型、條紋質感以及偏暖灰的色調，以聚碳酸酯為主要材質，在光線下可以折射出從透明到灰色之間的清澈光線質地，充分展現了材質之美。此次也將展出「Standard」沙發深色皮革版本，呼應展覽主題「 Palazzo Invisibile 奇想逸境」呈現的浪漫空間。
In addition to Sherazade, the exhibition showcases two other iconic Edra creations. The On the Rocks sofa, also by Francesco Binfaré, features modular geometric shapes without rigid frames, allowing cushions to be freely adjusted for versatile configurations. The exhibited version is upholstered in the Minerals collection fabric, inspired by shimmering, translucent, mineral-like surfaces that catch the light from every angle. Another highlight is the Milano chair, designed by Jacoppo Foggini and inspired by the architectural façade of Milan Cathedral. With its slender profile, textured stripes, and warm gray tones, the chair is crafted from polycarbonate, refracting light to reveal a stunning gradient from transparency to gray. Completing the collection is the Standard sofa in dark leather, perfectly aligned with the exhibition’s theme of fantastical and romantic spatial narratives.
➤ On the rock
Bocci：感性且非理性的浪漫光源
Emotional and Romantic Lightscapes
➤ Bocci 44
來自加拿大的 Bocci 由 Omer Arbel 是一間以溫哥華及柏林為創作基地的設計與製造工作室。由 Omer Arbel 於 2005年所創立，致力塑造一種創意與工藝並重的狀態，他們的設計專注於感性、非理性和浪漫的聲音。這次特別展出 4 件燈具，包含 44、28、57，以及 100 皆是 Bocci 的代表作品。像是 Bocci 44，是將融化的鋁倒入有沙子的蠟模，捕捉這些非永久性岩石的有機紋理，創造出岩石和化石般的獨特造性； Bocci 28 系列採用創新的玻璃吹製技術製成，形成帶有凹進內含物的球體，可捕捉和漫射光線，為空間創造飄逸的光芒；Bocci 57系列透過獨特的玻璃吹製技術探索明暗之間的交互作用。陷入的氣泡球體創造出帶有懸浮空洞的抽象形式，創造出令人驚訝的方式折射光線；Bocci 100 則是透過多台的玻璃吹製機協同工作，塑造出的玻璃球熔合連鎖在一起，創造岀獨特結構的複雜性。
The Canadian lighting brand Bocci, led by Omer Arbel, brings its sensorial and poetic lighting designs to the exhibition. Representing a fusion of craft and creativity, the showcased pieces include the 44, 28, 57, and 100 series. Bocci 44: Created by pouring molten aluminum into sand molds, this series captures the organic textures of impermanent rocks, evoking a fossil-like quality. Bocci 28: Using innovative glass-blowing techniques, these spherical lights feature recessed inner forms that capture and diffuse light, casting a radiant glow. Bocci 57: This series explores the interplay between light and shadow through abstract, hollow glass forms with suspended air bubbles, creating mesmerizing refractions. Bocci 100: A complex structure of interlocked glass spheres, shaped through synchronized glass-blowing machines, resulting in unique sculptural lighting.
➤ Bocci 100
➤ Bocci 28
丰巢 Fuhaus 總經理 Alex Shaw 表示：「透過每年的主題策展，創造出有別於單純成列更換，更能呈現岀品牌的深度和廣度。更希望可以在台灣創造岀不同於單一的理性美學，能有更多多元，充滿情感，帶有激情的設計選擇，創造更多出單品家具形塑獨有空間感的實踐。」這次也將 Edra 經典設計，以單椅的形式展出，包含梅田正德（Masanori Umeda）花座系列中的玫瑰花和百合花、 Milano 米蘭椅設計師 Jacoppo Foggini 的 Esther 和 Ella 椅，以及天鵝絨縫製的 Blue Velvet 椅。
Fuhaus General Manager Alex Shaw shares the vision behind these curated exhibitions: “Through thematic curation each year, we aim to move beyond simple product displays, showcasing the depth and breadth of the brands we represent. Our goal is to offer more diverse, emotionally charged, and passionate design options in Taiwan, breaking away from purely rational aesthetics to create spaces imbued with unique character.” The exhibition also features classic Edra designs presented as standalone pieces, including the floral-inspired Rose and Lily chairs by Masanori Umeda, the Esther and Ella chairs by Jacoppo Foggini, and the Blue Velvet chair with quilted upholstery.
