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  Anish Kapoor

 

UNSEEN

➤ At the Edge of the World II, 1998. © Anish Kapoor. All rights reserved. Photo by David Stjernholm
 
Anish Kapoor (b. 1954) was born in India and has lived and worked in the UK since 1973. He is one of the most influential artists of our time. 
 

Anish Kapoor 生於 1954 年，出生於印度，自 1973 年以來一直在英國生活和工作。

 
Over the past four decades, Kapoor has created a body of ground-breaking works out of materials such as wax, stone, pigment and polished stainless steel. His monumental art simultaneously envelops and overwhelms the observer. 
 

過去四十年中，Anish Kapoor 使用蠟、石頭、顏料和拋光不銹鋼等材料創作了一系列突破性的作品，他那不朽、前衛的藝術作品總是能夠創造出一種沉浸式的體驗，使參觀者能夠感覺自己被藝術作品所包圍，其作品規模和視覺效果留下深刻印象，讓人們感到震撼。

 

 

 

 

 

➤ Destierro, 2017. © Anish Kapoor. All rights reserved. Photo by David Stjernholm
 
 
 
➤ Destierro, 2017. © Anish Kapoor. All rights reserved. Photo by David Stjernholm.03

 

 

 

 

 

At the same time, Kapoor examines what we cannot see. Anish Kapoor – Unseen addresses this aspect of Kapoor’s art. It is the first major solo show with Anish Kapoor in Scandinavia.
 

Anish Kapoor ——《UNSEEN》透過作品引導我們審視了妳和我看不見的事物，這是 Anish Kapoor 首次在斯堪地那維亞半島的大型個展。

➤ Destierro, 2017. © Anish Kapoor. All rights reserved. Photo by David Stjernholm.04
➤ At the Edge of the World II, 1998. © Anish Kapoor. All rights reserved. Photo by David Stjernholm03
➤ Memory, 2008. © Anish Kapoor. All rights reserved. Photo by David Stjernholm.02
➤ Memory, 2008. © Anish Kapoor. All rights reserved. Photo by David Stjernholm
➤ Mipa Blue 5 to Cobalt Blue and Black, 2021. © Anish Kapoor. All rights reserved. Photo by David Stjernholm.
➤ Descent into Limbo, 1992. © Anish Kapoor. All rights reserved. Photo by David Stjernholm
The absence and the void are central in Kapoor's art. He gives what we cannot see a sensory form, for example, when water flows into an invisible abyss in Descension (2014), or when he lets us gaze into the dark interior of Memory (2008). Despite the impressive scale of his works, something remains hidden: something we can neither see nor fully understand. The exhibition addresses this paradoxical aspect of Kapoor's works: we feel the effect of the works with our bodies and senses, yet there is more at play than what meets the eye.
 
 

缺席和空虛是他創作藝術的核心，賦予我們看不見的東西一種感官形式，例如，在《下降》（2014）中，當水流入看不見的深淵時，或者當他讓我們凝視《記憶》（2008）中黑暗的內部時。儘管他的作品規模令人印象深刻，但仍有一些東西被隱藏：一些我們既看不到也無法完全理解的東西。展覽探討了作品中這個矛盾特質：我們用身體和感官反思深刻哲學內涵的作品，但其中的作用遠比眼睛看到的還要多。

 

 

➤ Descension, 2015. © Anish Kapoor. All rights reserved. Photo by David Stjernholm.02
➤ Descension, 2015. © Anish Kapoor. All rights reserved. Photo by David Stjernholm

 

 

➤ My Red Homeland, 2003. © Anish Kapoor. All rights reserved. Photo by David Stjernholm.
➤ Random Triangle Mirror 2017. © Anish Kapoor. All rights reserved. Photo by David Stjernholm
 
 
 
 
 
➤ S–Curve, 2006. © Anish Kapoor. All rights reserved. Photo by David Stjernholm
 
 
 
 
 
➤ Grave, 2019. © Anish Kapoor. All rights reserved. Photo by David Stjernholm
➤ Anish Kapoor, Grave, 2019. © Anish Kapoor. All rights reserved. Photo by David Stjernholm.02
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