第四屆好感空間展甫落幕，今年以 The Next House Show 為概念，邀請人們從材料、選物、建築、藝術等不同面向，思考可能的居家樣貌。比起單純展示產品，本次策展更試圖向業界人士與設計愛好者提問：人們如何感知空間？設計又該如何回應生活？在六大主題展區中，物品跳脫既定商業展示框架，而以材料實驗、跨界合作、概念創新、致敬經典等面向，展現技術與文化、過去與未來持續對話的可能。

Having just concluded its fourth edition, Experience Life 2026 adopts The Next House Show as its central theme, inviting visitors to consider possible ways of living through the lenses of materials, objects, architecture, and art. Rather than presenting products alone, the exhibition poses broader questions to design professionals and enthusiasts alike: How do we perceive space? And how can design respond to everyday life? Across six thematic sections, objects move beyond the conventions of commercial display, revealing ongoing dialogues between technology and culture, past and future through material experimentation, cross-disciplinary collaborations, conceptual innovation, and tributes to timeless design.

關燈計畫，讓光成為敘事者

Lights Out: When Light Becomes the Narrator

當場燈暗下，各展位分別布光、開啟小範圍的氛圍敘事，觀展者的心緒亦被自然牽引而沉澱下來，將注意力聚焦於眼前的事物。這是好感空間展首次嘗試的巧思，邀請照明人協會擔任燈光顧問，以光影策動感知，使人於低照度的環境光源中能更敏銳地感受立體輪廓與明暗細節。

As the house lights dim, each exhibition space is illuminated in turn, unfolding its own intimate atmosphere. Visitors naturally slow their pace, allowing their attention to settle on what lies before them. Introduced for the first time at Experience Life, this carefully orchestrated lighting concept was developed in collaboration with Lighting Society Taiwan, using light to heighten perception. Within a low-light environment, subtle shifts of form, shadow, and spatial depth become all the more perceptible.

循環未來，材料與技術的跨界展演

A Circular Future: Where Materials and Technology Converge

於入口處，一座由鐵藝結合 3D 列印技術打造的光之隔柵首先映入眼簾，開啟對下一個時代生活樣貌的想像。結合飛簷牌樓意象呈現的是酉 5PM® 與 Meshrōm 合作打造、具有未來感與自然生命力的微型綠洲，設計出兼顧美感與耐候性，並能低維護運作的旱生景觀，為有限水資源下的永續環境提供解方。

At the entrance, a luminous screen combining metal craftsmanship with 3D printing immediately sets the tone, opening a vision of future ways of living. Drawing inspiration from the silhouette of traditional Chinese gateways, the installation is a collaboration between 5PM® and Meshrōm, creating a miniature oasis that balances a futuristic sensibility with the vitality of nature. Designed as a low-maintenance xeriscape with both aesthetic appeal and durability, it offers a thoughtful response to sustainable landscapes in an era of limited water resources.

放眼望去，更為成熟的3D列印技術，也已從實驗性概念落實於私人與公共面向，廣泛進入大眾視野。由 C-Cube、元根、忠泰、振添、樂土、頡欣與慶泰共同發起的 Fab-X 團隊，帶來大型空間裝置作品「離屋：未來生活的體感實踐」，以低碳預鑄、3D 列印與礦物塗裝為基礎，形塑一種由曲面構成、模擬洞穴的住宅形式。自大自然取材，並將居住的想像置入山、海、田之中，重新構築材料、自然與生活之間的關係。

Looking further into the exhibition, increasingly mature applications of 3D printing reveal how the technology has evolved beyond experimental concepts into both public and private environments. The Fab-X collective—formed by C-Cube Lab, Yuan Ken Architecture Workshop, JUT Group, Zhen Tian, LOHAS, Everplast Machinery, and Ching-Tai Resins—presents Away House: An Embodied Experience of Future Living, a large-scale installation built with low-carbon precast components, 3D printing, and mineral-based coatings. Its cave-like, curvilinear form draws inspiration from nature, placing ideas of dwelling back within mountains, coastlines, and fields to reconsider the relationship between materials, nature, and everyday life.

ROSO Art（ROSO 機器人建造實驗室）則將3D列印技術應用於轉譯自然地貌、文化風土與城市肌理，運用在公共藝術與空間設計領域。現場展出如緞帶折疊成型的薄透座椅、以及如海底珊瑚流線起伏的藝術裝置，顯示 3D 列印正形成一種創作語言，並在時間與環境的共同作用下發展出新的形式與對話。

Meanwhile, ROSO Art (ROSO Robotic Construction Laboratory) applies 3D printing as a medium for translating natural topographies, local cultures, and urban textures into public art and spatial design. From ribbon-like translucent seating to sculptural installations reminiscent of flowing coral formations, the works suggest how 3D printing is emerging as a creative language—one that continues to evolve through time and its surrounding environment.

生活提案，從選物邏輯審視物我關係

Living Proposals: Rethinking Our Relationship with Objects

在集結眾多國內外指標家具的品牌展區，亦能看到不同於商展的展示邏輯，引導人們從不同角度觀看日常物件。居雅堂 × 潤舍以策展思維，根據核心燈具佈置場景，搭配講述設計背後的溫馨趣事，讓每盞燈除了照明，還是傳遞情感的媒介。森 / CASA 以生活場景為核心，邀請人們進入客廳、廚房、起居室的日常氛圍，親自體驗每張經典座椅承接身體的弧度與觸感，感受製作工藝的真實溫度。築意 MD Studio 邀請台灣創作者跨界互動，將雕塑感茶几作為二次創作的素材，激發觀者既定認知之外的思考。

Within the furniture section, featuring leading domestic and international brands, visitors encounter a display strategy that moves beyond the conventions of a trade fair, encouraging new ways of engaging with familiar objects. JYT Design× Luxury Life adopts a curatorial approach, arranging scenes around key lighting pieces while sharing the stories behind their designs, allowing each lamp to become a vessel for emotion as much as illumination. Mori / CASA recreates everyday settings—from living rooms and kitchens to lounges—inviting visitors to experience the comfort, craftsmanship, and tactile qualities of iconic furniture firsthand. MD Studio collaborates with Taiwanese creators across disciplines, transforming sculptural coffee tables into canvases for new interpretations that challenge established perceptions.

➤ 居雅堂 × 潤舍 JYT Design× Luxury Life

➤ 居雅堂 × 潤舍 JYT Design× Luxury Life

➤ 森 / CASA Mori / CASA

➤ 築意名品家飾 MD Studio

台灣品牌 Object Weiv 發表概念為「真空黏土」（VaClay） 的系列創作《RAW STONE》，將布料隨意塑形再抽取真空使之硬化，呈現出可雕塑的材質語彙，並可延伸應用至沙發、花器、燈具、茶几等形式。義豐靜器製作所 IFON，將製作神明桌的傳統工藝以現代生活語境重新詮釋，回歸天／地／人的樸素心意，令人們重新思索信仰的表現形式。第七度踏上米蘭設計週的工業設計師許向罕，亦發表全新的 Tenderflame 爐具與 O-Grill 戶外烤爐作品，作品不受形式拘束，藉由對材料的深刻理解回應火的本質。

Taiwanese brand Object Weiv introduces RAW STONE, a series developed around its VaClay (Vacuum Clay) concept. By shaping fabric freely before vacuum-hardening it, the process creates a sculptural material language that can be extended into sofas, vases, lighting, coffee tables, and beyond. IFON reinterprets the traditional craft of altar table making within a contemporary context, returning to the simple relationship between heaven, earth, and humanity while prompting renewed reflections on the forms of belief. Industrial designer Hsiang-Han Hsu, participating in Milan Design Week for the seventh time, also presents new works including the Tenderflame stove and O-Grill outdoor grill, responding to the essence of fire through a deep understanding of material.

➤ 《RAW STONE》

➤  《RAW STONE》

➤ Tenderflame

影響力講堂，持續拓展交流與對話

Influence Forum: Expanding Dialogue and Exchange

除了靜態展示，展覽亦致力於創造對話與交流的空間，讓設計、品牌與製造三方的能量能彼此串連，創造產業合作的契機。擴大舉辦影響力講堂，邀請各領域實踐者分享觀點；今年主題以木構空間為核心，展開從 AI、城市更新、永續材料、工藝文化到北歐設計思維的系列講座。藉由台上台下的互動，不僅回應眾人對未來生活的提問，也鼓勵業界交流經驗、發展創意基石。回顧今年的好感空間展，並未憑空描繪未來住宅的樣貌，而是試圖透過材料、光線、工藝與跨界合作，引導人們發展對居住空間的想像，共同描繪關於「下一個家」的生活提案。

Beyond the exhibition itself, Experience Life continues to foster dialogue by connecting design, brands, and manufacturing, creating new opportunities for collaboration across the industry. This year's expanded Influence Forum brings together practitioners from a wide range of disciplines, centring on timber architecture while exploring topics including AI, urban regeneration, sustainable materials, craft culture, and Nordic design thinking. Through conversations between speakers and audiences, the forum not only responds to questions surrounding future living, but also encourages the exchange of ideas and experiences that lay the groundwork for continued creativity. Looking back on this year's Experience Life, the exhibition did not attempt to define what future housing should look like. Instead, through materials, light, craftsmanship, and cross-disciplinary collaboration, it invited visitors to imagine new possibilities for living, collectively shaping a vision of The Next House.

➤ 影響力講堂

➤ 影響力講堂

➤ 影響力講堂

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