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➤ 南韻-樸石 柔霧白

回歸岩石原生紋理的自然棲居

A Natural Dwelling Rooted in the Pristine Texture of Stone

 

 

如何能將南法石灰岩場的光影地景一絲不漏收藏進眸中,過目不忘?記憶容易存在偏差,並在時光流轉中逐漸褪去細節。旅途中,風梭巡過原石孔隙,粗礪質地搔刮肌膚;閉上眼,日光灑落牆面,折射於眼底形成細碎光斑。這些意象帶著鮮明色澤、紋理與氣味,成為人們感知地理風貌的線索。

 

 

 

How can the luminous landscape of limestone quarries in southern France be fully captured within one’s gaze and never forgotten? Memory is inherently fallible, gradually fading in detail as time passes. Along the journey, wind moves through the pores of raw stone, its rough texture brushing against the skin; when eyes are closed, sunlight spills across the walls, refracting into delicate specks of light upon the retina. These impressions—rich in color, texture, and even scent—become cues through which we perceive the character of a place.
 
 
 
 
 

➤ 巖語-沙漠土黃

地質紋理如同指紋,經過長時間沉積與風化,形塑難以複製的風土特徵。過去只能在當地現場才能體會,而今,人與大地的親暱,即刻始於足下的每一步回饋。即便身處亞熱帶島嶼,帶有奶油白礦物色階流淌的光影,於地磚表面留下油彩般凹凸點狀紋理,經由觸覺連結海洋彼端的岩石質地,構成靜謐淡然的普羅旺斯印象。

 

 

 

Geological textures, like fingerprints, are shaped through long processes of sedimentation and weathering, forming a terroir that resists replication. Once, such sensations could only be encountered in situ; now, the intimacy between human and land begins instantly beneath each step. Even on a subtropical island, the creamy mineral tones seem to flow across the surface, where painterly, uneven speckles settle into the tiles. Through touch, one is quietly connected to the stony textures across the sea, composing a serene and understated impression of Provence.
 
 
 
 
 

➤ 巖語-白灰

再將感官體驗自地坪延伸至空間立面,材質形成的地理分界逐寸消弭。觸手感知猶如自然風蝕留下的顆粒肌理,呼應膚色自然曬痕,使真實的生活溫度於掌間傳遞。經由一雙懂得欣賞粗織麻布、陶土粗胚那份質樸美感的眼睛,看見自我走入內在的棲居嚮往。此刻,風景成立於心境,而不在他方。

 

 

 

As this sensory experience extends from the ground to the walls of the space, the geographical boundaries formed by material gradually dissolve, inch by inch. The hand perceives textures reminiscent of natural erosion, echoing the sun-kissed tones of the skin and conveying the warmth of lived reality through the palm. Through eyes attuned to the unadorned beauty of coarse linen and unglazed clay, one senses a personal, inward longing for dwelling. In this moment, the landscape exists within the mind, rather than elsewhere.
 
 
 
 
 

➤ 南韻-樸石 土韻棕

從光影、紋理、層次,到對岩石本質的深刻還原,ABK 藉由巖語與南韻系列重現南法光影與地中海蔚藍海岸的人文質地,將遙遠地貌轉化為日常可觸及的存在。循著這樣的設計脈絡,台灣瑪摩作為 ABK 在台總代理將其精神完整引入,除了材質的呈現,亦專注於延續背後的美學邏輯,建構一套完整而連貫的空間敘事體系。如同原裝進口的頂級座駕,從核心結構到細節設計,皆源於系統化思維;不僅止於片段組合,還要不斷向下扎根、向上溯源,直至從概念到落地完整呈現。只因真正動人的質感,往往來自細節的整合與整體的和諧一致,最終才能臻於純粹與完整。

 

 

 

From light and shadow, texture and stratification, to a profound rendering of stone’s intrinsic nature, ABK reinterprets the luminous landscapes of southern France and the humanistic character of the Mediterranean coast through its CLIFF and MIDI collections, translating distant geographies into a tangible presence within everyday life. Following this design trajectory, Taiwan Marmo, as ABK’s official distributor in Taiwan, fully introduces this ethos into the local context—extending beyond material application to carry forward its underlying aesthetic logic and construct a coherent spatial narrative system. Much like a premium vehicle imported in its original form, every aspect, from core structure to refined detail, is rooted in systematic thinking; rather than a mere assembly of fragments, it is a process of grounding downward and tracing upward, ensuring a complete realization from concept to execution. For truly compelling materiality arises from the integration of details and the harmony of the whole, through which a sense of purity and completeness is ultimately achieved.
 
 
 
 
 

➤ 南韻-樸石 雅白

台灣瑪摩

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