停留之所：在材質與光影之間寧靜構築
A Thoughtful Stay: Quietly Composed Between Material and Light
你可曾聽見過材質的回聲？於靜謐之處，石頭傾訴時間經過的紋理，植物舒展枝葉、輕盈呼吸，木材則專注吐納氣息，調節空氣濕度並細密描摹光影。這是 KARIMOKU CASE 於 2026 米蘭國際家具展所設計的展位—— A Thoughtful Stay ，歡迎來自世界各地的訪客蒞臨，進入由材質、比例、光影所構築的寧靜之地。
➤ Photo by Karl Tranberg Knudsen
迎賓儀式自水平展開的樸素櫃檯開始，大面積鋪陳的素白基調，背景鑲嵌木質格柵，俐落簡約的線條形塑旅宿外觀明朗雅緻的氛圍。門廊聳立的石塊環繞些許青苔，默默呼應著與大自然的隱密連結；而穿過牆面實木雕塑所投射而下的陰影，則暗喻著時間的流逝。工作人員穿著強調實用機能的 nanamica 制服，以笑容引導來客，一種講究細節、尊重工藝的內涵隱約可見。
The welcoming ritual begins with a horizontally extended reception counter. Expanses of soft white surfaces are framed by wooden latticework in the background, where restrained and minimal lines shape the refined atmosphere of a contemporary retreat. Stones gathered beneath the entrance are accompanied by patches of moss, subtly evoking a quiet connection with nature, while shadows cast through sculptural solid wood partitions suggest the passing of time. Staff dressed in functional uniforms by nanamica gently guide visitors through the space, revealing an understated sensibility rooted in craftsmanship and thoughtful detail.
➤ Photo by Karl Tranberg Knudsen
➤ Photo by Karl Tranberg Knudsen
➤ Photo by Karl Tranberg Knudsen
隨著心理預期的逐漸深入，空間佈置亦呈現漸進層次。在敞亮的接待區，放置著 Norm Architects 為 Azabu Residence 設計的模組化沙發，大小配置可依空間規劃，展現靈活佈置的舒適度。另一側由 Keiji Ashizawa 設計的 A-S02 單椅沙發，其圓潤又具包覆性的線條，則反映出更為親密的尺度。一旁，木質底座搭配圓形大理石桌面的 N-ST01 茶几，則是出自Kinuta Terrace 項目，於極簡輪廓中流露輕盈又不失結構強度的細膩平衡。
As one moves further inward, the spatial composition gradually unfolds in layers. Within the bright reception area sits a modular sofa designed by Norm Architects for Azabu Residence, its adaptable configuration offering flexibility across different spatial arrangements. Nearby, the A-S02 lounge chair by Keiji Ashizawa introduces a more intimate sense of scale through its rounded and embracing silhouette. Beside it, the N-ST01 coffee table — composed of a wooden base and circular marble top from the Kinuta Terrace project — expresses a delicate balance between visual lightness and structural clarity within its minimal form.
➤ N-S02 designed by Norm Architects. Photo by Karl Tranberg Knudsen
➤ N-ST01 & N-SW01 designed by Norm Architects. Photo by Jonas Bjerre-Poulsen
➤ A-S02 designed by Keiji Ashizawa. Photo by Karl Tranberg Knudsen
這些為建築空間量身定做的家具，讓 KARIMOKU CASE 有別於一般家具品牌，透過客製化與空間整合，形塑以居住者為核心的生活方式，構成空間秩序的整體框架。也因此每件家具擺放的位置，都能令所描繪的空間十分具體，環繞在 Restaurang Äng 餐桌旁，便能想像沈浸於美食與愉悅交談的氛圍；落座於 Minatomirai Cafe 的高腳椅上，也似乎能隱約嗅到一絲咖啡香。
These furnishings, designed specifically for architectural environments, distinguish KARIMOKU CASE from conventional furniture brands. Through bespoke design and spatial integration, the brand shapes living environments centered around their inhabitants, allowing furniture to become part of the framework that defines spatial order. Each placement therefore evokes a distinct scene: gathered around the dining table of Restaurang Äng, one can almost imagine immersive conversations shared over food, while sitting on a stool from Minatomirai Cafe, the subtle aroma of coffee seems to linger quietly in the air.
➤ Photo by Karl Tranberg Knudsen
➤ Photo by Jonas Bjerre-Poulsen
➤ Photo by Karl Tranberg Knudsen
再從相聚的場景逐漸過渡到私人場域，經過煙燻橡木格柵緩步走向臥室風景，藉由燈光的引導，以及柔和且強調觸感的織物開啟感官覺知，隨著色彩、光影、材質的轉換，逐漸引入更安靜而內斂的節奏。每一件木製家具都特別注重材料的誠實與永續性，這成為了與其合作的英國 Norman Foster、北歐 Norm Architects、以及日本 Keiji Ashizawa 建築事務所共享的設計價值。
Gradually, the atmosphere transitions from communal gathering spaces into more private interiors. Passing through smoked oak lattice screens toward the bedroom setting, visitors are guided by light and tactile textiles that awaken sensory awareness. Through shifts in color, shadow, and material, the experience slowly settles into a quieter and more introspective rhythm. Every wooden furnishing emphasizes material honesty and sustainability — values shared by the collaborators behind the collection, including Norman Foster from the UK, Norm Architects from Copenhagen, and Keiji Ashizawa from Japan.
➤ Photo by Karl Tranberg Knudsen
➤ Photo by Karl Tranberg Knudsen
➤ Photo by Karl Tranberg Knudsen
➤ Photo by Karl Tranberg Knudsen
➤ Photo by Karl Tranberg Knudsen
即便人們僅只是短暫停留，似乎都能在觸及木質表面，感受溫潤線條時，找到一種時光凝止的溫柔；一處在快速變動的設計風向中，轉而面向自我的貼心棲所。這便是 KARIMOKU CASE 想傳達的：一種與空間、建築、生活交織的真實連結。如木材於大地上深深扎根，又如時光般悄然靜默，但始終願意回應人們內心對平靜的渴望。
