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家的模樣:於生活型建築中流動的詩意日常


The Shape of Home: Poetry in the Flow of Everyday Life

在講究結構、比例與尺度的建築世界裡,空間中的詩意從何而來?圖紙上縱橫交錯的線段與數字是否能精確計算:多大的空間才足夠容納自我,以及多近的距離才足以定義親密?這些沒有標準答案的提問在建築師眼中所代表的其實是無限排列組合的可能性。於是從居住形式開始斟酌,然後是材料之間的對比與呼應,該從何處開始安排空間的流動與停頓,如何讓動線隨著節奏起伏、引導身體感知?思索光從哪裡來、窗朝哪處開,才能在留白之處埋下伏筆?當一棟房子不再只是遮風避雨的容器,設計所回應的毋寧更接近於一種對生活的理解。

 
 
 
In architecture, where structure, proportion and scale are carefully considered, where does poetry in space begin? Can the intersecting lines and figures on a drawing truly tell us how much space is needed to make room for a sense of self, or how close two people must be for intimacy to take shape? For architects, such questions have no definitive answers. Instead, they open up an almost infinite range of possibilities. The process begins with the very form of dwelling, then moves to the contrasts and harmonies between materials. How should movement and stillness be arranged? How might circulation unfold in rhythm, guiding the body's experience of space? Where should light enter, and which way should a window face, to leave room for the unexpected? When a house becomes more than a shelter from the elements, architecture begins to express a deeper understanding of how we live.

 

 

 

➤ 元根建築工房主持人─吳武易建築師。

➤ Wu-I Wu, principal architect of Yuan Ken Architecture Workshop.

或許,人們能從等比縮小的建築模型中回溯最初的意圖。在台中、高雄所舉辦的兩場建築講座《流動的建築ᅳ用生活築起家的模樣》中,元根建築工房的吳武易建築師接受楠弘集團邀請,分享他對住宅、自然與生活關係的思考。家不只是四面牆圍合而成的室內空間,它同時也是屋主心境的具體展現。比如在台南老城區的街廓紋理中,他悉心縫合前後巷弄,藉由從階梯到天井的立體動線,穿插前庭、側庭、裡庭等綠意層次,形塑嵌入城市公共肌理的垂直聚落。又或是在寸土寸金的都市家屋中,設計一處空無的內庭,使樹木在日光下茁壯,綠蔭下微風輕輕,將虛空間讓渡給生命中值得停留的時刻,於是看似無為之處便成為家宅的凝聚核心。

 
 
 
Perhaps the original intentions behind a building can be traced through a scale model. At two lectures held in Taichung and Kaohsiung under the title Fluid Architecture: Shaping Home Through Everyday Life, architect Wu-I Wu of Yuan Ken Architectural Workshop shared his thoughts on the relationship between dwelling, nature and daily life at the invitation of Lafon Group. A home is more than an interior enclosed by four walls; it also gives form to the inner world of those who inhabit it. In Tainan's historic urban fabric, for instance, Wu carefully weaves together the lanes running through and around the site. Stairways and courtyards create a layered spatial sequence, connecting front, side and inner courts through varying degrees of greenery. The result is a vertical community embedded in the city's public fabric. Elsewhere, in a densely built urban home where land is at a premium, he creates an open inner courtyard, allowing trees to flourish in the sunlight and a gentle breeze to move beneath their shade. The void makes room for moments worth lingering over; what might appear to be an absence becomes the heart of the home.
 
 
 
 

➤ 來賓透過建築模型探索空間的不同樣貌,從觀看、交流到想像,開啟不同世代對理想住居的共融思考。

 

➤ Guests explore different spatial possibilities through architectural models. Observation, conversation, and imagination bring different generations together to reflect on the ideal home.

若將建築比喻為詩句本身,那麼生活意境的詮釋權仍始終掌握在居住者手裡。深耕台灣居家美學市場近五十年的楠弘集團,長期引進一線歐洲廚衛品牌,並透過舉辦建築、設計與生活美學講座,持續促進產業與文化之間的交流。深知生活風格的形塑絕非一日之功,而來自細水長流的文化挹注與積累,即使是極為平常的用水體驗,也可能在無形中改變人們對空間的感知,逐步形塑對美的意識。

 
 
 
If architecture can be likened to a poem, its meaning ultimately belongs to those who inhabit it. For nearly five decades, Lafon Group has brought leading European kitchen and bathroom brands to Taiwan, while its lectures on architecture, design and the aesthetics of everyday life foster an ongoing dialogue between industry and culture. The group recognises that a way of living is never shaped overnight, but develops through the gradual accumulation of cultural influences and everyday experience. Even an ordinary encounter with water can subtly alter our perception of space, gradually shaping our sense of beauty.

 

 

 

 

➤ 吳武易建築師(右)引領參與者從建築模型微觀空間,在縮小的尺度之中看見比例、動線與光影,重新思考家與生活的模樣。

 

➤ Architect Wu-I Wu (right) guides participants as they explore space through architectural models. At this smaller scale, they examine proportions, circulation, and light and shadow, reconsidering their ideas of home and everyday life.

➤ GROHE 頭頂花灑 Rainshower Aqua 以直徑 360mm 尺寸包覆,亦有無須鑲嵌於天花板的圓形款式選項,提供不同模式出水的淋浴盛宴

 
➤ The GROHE Rainshower Aqua head shower is also available in a round version measuring 360 mm in diameter, with no need for recessed ceiling installation. Its enveloping spray and choice of spray patterns offer an indulgent showering experience.
 
 

 

 

 

 

此次協辦的德國衛浴品牌 GROHE,便推出Rainshower Aqua Tiles 可嵌入天花板的頭頂花灑,搭配 Grohtherm Aqua Tiles 恆溫控制系統,讓使用者能透過牆面操作介面調節水溫、切換出水功能,使肌膚得以感受如雨如霧的溫柔撫觸。透過將機能整合進硬體框架之中,不只讓使用者的體感更為從容,亦賦予人們對居家想像的更大自由。而這也正是楠弘所關注的價值:生活美學不只存在於被觀看的形式之中,也發生在反覆使用的日常細節裡。設計如何回應生活,形塑心之所棲的生命場景,是每個對家擁有憧憬的人心中,值得持續深思與探索的永恆課題。

 
 

At the event, German bathroom brand GROHE presented its Rainshower Aqua Tiles ceiling-integrated overhead shower, paired with the Grohtherm Aqua Tiles thermostatic control system. Through a wall-mounted control interface, users can adjust the water temperature and switch between spray functions, allowing water to meet the skin with the gentle sensation of rain and mist. By integrating functionality into the architectural framework, the system offers a more considered bathing experience while allowing greater freedom in the design of the bathroom. This reflects a value central to Lafon Group's approach: the aesthetics of living are found not only in forms intended to be seen, but also in the everyday details we encounter time and again. How design responds to life, and how it shapes the places we call home, remains an enduring question for anyone who dreams of a place of their own.
 

➤ GROHE 嶄新的 Grohtherm Aqua Tiles 系列,以極簡線條融入建築與光影留白中,打造沉浸式沐浴體驗。

 
➤ The minimalist lines of GROHE’s new Grohtherm Aqua Tiles collection blend into an architectural setting shaped by light, shadow, and negative space, creating an immersive showering experience.
GROHE

 

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