經典，是在時光中反覆驗證的生活哲學
一件經典家具的價值，往往不像人們走進展間時所見那般一目了然。無論是設計意圖、工匠手藝，還是材料特性，無不在時光的淘洗中顯得越加清晰與深刻。築意 MD STUDIO 長期引入具有代表性的歐亞名品，此次在 2026 好感空間展更以全新企劃，將義大利 Desalto 及丹麥 Fredericia 兩大品牌以不同面貌呈現於眾人面前，思索當設計家具被賦予人格、或走入日常生活後，將會以何種姿態展現生命力與溫度。
The value of an iconic piece of furniture is rarely revealed at first glance. Beyond the immediate impression of its form lies a gradual understanding shaped by design intent, craftsmanship, and the intrinsic qualities of its materials—qualities that become increasingly evident through the passage of time. Long dedicated to introducing distinguished furniture from Europe and Asia, MD STUDIO presents a new curatorial concept at Experience Life 2026, bringing together the Italian design brand Desalto and the Danish furniture maker Fredericia through two distinct narratives. The exhibition reflects on how design furniture, once endowed with character or integrated into everyday life, can come to embody its own sense of vitality and warmth.
➤ 建築師林淵源眼中的建築不拘泥於尺度
➤ 手稿表達對世界看法的載體
茶几之外：Micro Clay 的跨界實驗
Beyond the Coffee Table: Micro Clay as a Cross-disciplinary Experiment
造型、材質、比例與工藝，或許是我們認識一件作品的起點，然而在《物我：Micro Clay 的五面鏡像》主題下，經由五名台灣在地建築師/設計師/藝術家的視角詮釋，讓以雕塑比例展現幾何簡潔美學的 Micro Clay 圓桌，轉化爲乘載個人創作能量的生活物件。在建築師林淵源的眼中，建築不拘泥於尺度，既是生活的一部分，也是他表達對世界看法的載體。他想像這張茶几是一個裝滿湖水的雞尾酒杯，於是在桌面勾勒細密線條，彷彿一張藍曬圖描繪出漂浮小屋的輪廓。
Form, material, proportion, and craftsmanship may offer the first point of entry into understanding a design object. Yet within the exhibition Object & Self: Five Reflections on Micro Clay, the sculptural clarity and geometric restraint of the Micro Clay table become a canvas for interpretation through the perspectives of five Taiwanese architects, designers, and artists, transforming the table into a vessel for individual creative expression. For architect Yuan-Yuan Lin, architecture is not defined by scale. It is both part of everyday life and a vehicle through which he expresses his perspective on the world. He imagines the coffee table as a cocktail glass filled with lake water, drawing delicate lines across its surface like a blueprint that outlines the silhouette of a floating house.
➤ 自桌面勾勒細密線條
➤ 描繪出漂浮小屋的輪廓
➤ 鄭崇孝使用油畫顏料繪製
➤ 創作的童趣世界
藝術家鄭崇孝則將白色茶几視為立體雕塑，桌面使用油畫顏料繪製山水與動物，基座則畫上木紋，自側面觀之，整體像是一棵向上生長的小樹，桌面彷彿藏在樹冠中的一個童趣世界，呼應現實生活中流動的紋理與色彩。
Artist Chong-Xiao ZHENG regards the white coffee table as a three-dimensional sculpture. Landscapes and animals are painted across the tabletop in oil, while the pedestal is finished with wood grain. Viewed from the side, the entire composition resembles a growing tree, with the tabletop becoming a whimsical world hidden within its canopy, echoing the shifting textures and colours of everyday life.
不同於從造型激發聯想，工業設計師許向罕基於自身對結構與材質的敏銳，拆解原型，並將二創草圖繪製於表面，彷彿隨手記錄的靈感，呈現從零到一的構思過程。概念與成品同時並置，令人彷彿可以透視作品未成形之前的時光碎片。
Rather than drawing inspiration from form, industrial designer Hsiang Han Hsu approaches the work through his sensitivity to structure and material. Deconstructing the original CLAY prototype, he overlays its surface with sketches from his reinterpretation, as though recording ideas in the moment, revealing the design process from conception to completion. Presented side by side, concept and finished object allow viewers to glimpse fragments of time before the work assumed its final form.
➤ 許向罕拆解原型
➤ 將二創草圖繪製於表面
➤ 平面設計師葉忠宜創造的視覺趣味
➤ 表情符號 emoji 形成幽默提示
平面設計師葉忠宜則更跳脫「茶几」的功能性符號，嘗試使用日常表情符號 emoji 創造錯視的視覺趣味，「扭曲」茶几平滑穩定的日常語境，使平面呈現波浪起伏的立體動態。隱藏其中的笑臉彷彿是一個幽默的提示，鼓勵人們用新鮮眼光觀看習以為常的物件。
Graphic designer Yeh Chung-Yi moves beyond the functional identity of the coffee table altogether. By employing familiar emoji as visual devices, he creates playful optical illusions that distort the table's calm and familiar presence, transforming the flat surface into an undulating visual field. A hidden smiling face becomes a subtle invitation to look again at the ordinary with renewed curiosity.
最後，騷底製作為茶几設計了一個自平衡系統，使 Micro Clay 從完全的靜置，轉變為可以回應環境，不斷挪移角度卻始終保持平衡。此舉打破了一般人對家具是固定、靜態的想像，使其不只是被觀看，還能成為與環境持續對話的存在。
Finally, Hiautue Made equips the table with a self-balancing mechanism, allowing Micro Clay to respond continuously to its surroundings. Though constantly shifting its angle, it remains perfectly balanced. The intervention challenges the conventional perception of furniture as fixed and static, transforming it from an object of observation into one that enters into an ongoing dialogue with its environment.
➤ 騷底製作為茶几設計平衡系統
➤ 茶几成為與環境持續對話的存在
時光居所：走入 Børge Mogensen 的北歐家景
A House Through Time: Inside the Home of Børge Mogensen
展場另一側，則透過一系列照片，引領觀者走進 60 年代丹麥國民家具設計大師 Børge Mogensen 的故居。1958 年落成於哥本哈根北郊，其中諸多經典家具的身影，猶如一座時光博物館，靜靜收集著每個行起坐臥的日常時光。橫躺在沙發上的身影令人會心一笑，陳設於客廳火爐邊的座椅彷彿可以聽見笑語迴盪。經歷了半個世紀，仍無損其質地，將工藝精神與設計理念一代代傳承，乃至成為現代人生活中凝聚情感與形塑生活方式的一部分。
On the opposite side of the exhibition, a series of photographs invites visitors into the home of Danish furniture master Børge Mogensen. Completed in 1958 in the northern suburbs of Copenhagen, the house remains inhabited by many of his most celebrated designs. Like a quiet museum of lived time, it preserves the everyday moments of sitting, resting, gathering, and living. A figure reclining across the sofa brings a gentle smile, while chairs arranged beside the fireplace seem almost to resonate with the echoes of conversation. More than half a century later, these interiors have lost none of their enduring character. They continue to carry forward Mogensen's ideals of craftsmanship and design, becoming part of the emotional fabric and daily rituals of contemporary life.
這次在好感空間的策展，築意 MD STUDIO 一方面藉由跨界合作，探索家具在進入生活後的個人化語境與超越功能性的藝術表達，提供人們看待家具的新穎視角；另一方面，回溯北歐家具設計的初衷，在居家風景中勾起內心深處的共鳴：家具的價值，最終仍是在日復一日的使用中，才漸漸顯露於生活。
Through this presentation at Experience Life 2026, MD STUDIO explores two complementary perspectives. On one hand, cross-disciplinary collaborations examine how furniture acquires personal meaning after entering everyday life, extending beyond function into artistic expression. On the other, the exhibition returns to the origins of Nordic furniture design, recalling the quiet resonance found within domestic settings. Ultimately, the value of furniture reveals itself not in a single encounter, but gradually through the rhythms of daily use and lived experience.
