設計如何回應生活？NATUZZI 的共生美學提案
➤ 回歸米蘭展主展區，NATUZZI Studio 首度亮相，打造沉浸式生活場景，串聯藝術家、建築師與設計師打造創意實驗共創平台
第 64 屆米蘭設計週以「Be the project」為題，指出設計是一涵蓋參與、體驗且持續生成的過程，而非僅僅指向最後的成果。其價值不單是在製造產品，亦囊括了整體生活情境與品質的塑造。義大利家具品牌 NATUZZI 以「Harmony Creator」回應此一趨勢，認為家具並非住宅的附屬品，而應視作整體空間的延伸，使人在客廳、餐廳、臥室等空間遊走時，皆能感到一致的和諧與舒適。
The 64th Milan Design Week takes “Be the project” as its theme, emphasizing design as a continuous process that encompasses participation, experience, and ongoing generation, rather than merely pointing toward a final outcome. Its value lies not only in the production of objects, but also in the shaping of overall living contexts and quality of life. Italian furniture brand NATUZZI responds to this trend with its concept of “Harmony Creator,” proposing that furniture should not be regarded as an accessory to the home, but as an extension of the spatial whole. In this way, movement through the living room, dining room, and bedroom becomes an experience of consistent harmony and comfort.
➤ NATUZZI 2026 米蘭展多元新品齊發，以有機曲線、模組化系統、不同材質混搭，創造多場景應用
今年，NATUZZI 首度以 NATUZZI Studio 形式回歸主展區，呈現以產品敘事為基調的居家空間，使 Dwell 弧形沙發成為可親近、舒緩身心的休憩站；獨特造型的 BAYA 扶手椅，也能激發一隅靜謐角落的居家靈感。經由整體空間規劃的縝密串連，將家具從抽象的設計語彙，落地重組為富有畫面感的生活詩篇。
This year, NATUZZI returns to the main exhibition area for the first time in the form of NATUZZI Studio, presenting a domestic space grounded in product-driven storytelling. The Dwell Sofa becomes a welcoming point for rest and relaxation, while BAYA Lounge Armchair evoke moments of quiet inspiration within intimate corners of the home. Through a carefully orchestrated spatial composition, furniture is translated from abstract design language into a tangible, image-rich living narrative.
➤ 由 Claudio Bellini 設計的 NATUZZI Dwell 搭載新多重科技以提升放鬆體驗，為品牌在 Comfortness 理念上的最新突破
➤ Frank Chou 的 BAYA 扶手椅，以流線感的圓柱底座與包覆式的椅背，帶來穩定舒適與視覺美感，適用於住宅及商業空間
要實現這樣的共生美學，家具本身的靈活性成為關鍵，使其能回應住宅與商業空間之間的多重需求。例如 Mauro Lipparini 設計的 Caleo 系列，以流動的抓皺線條削弱體量感，並結合金屬椅腳創造視覺上的輕盈平衡；同系列延伸至餐桌、茶几與餐邊櫃，形成完整的系統性空間語言，使單一設計得以延展為整體場景。
To realize this symbiotic aesthetic, the flexibility of furniture becomes essential, enabling it to respond to the diverse demands of residential and commercial spaces. For instance, the Caleo series designed by Mauro Lipparini features flowing, ruched lines that soften its volumetric presence, paired with metal legs that create a sense of visual lightness and balance. The series further extends into dining tables, coffee tables, and sideboards, forming a cohesive spatial system that allows individual pieces to expand into a complete environmental narrative.
➤ Mauro Lipparini 設計的 Caleo 系列，以流動的有機線條創造抓皺曲線及沉穩的厚實扶手，搭配金屬元素椅腳，使整體家具看起來有微妙的懸浮感，既穩重又輕盈
此外，具備日夜轉換機能的 Controra 沙發床，回應高密度居住情境下的空間彈性需求；以大理石與烤漆對比構成的 Pan 茶几，則透過介於茶几與餐桌之間的高度設計，模糊正式與非正式場域的界線；Riva 單椅以細緻的雕塑語彙建立空間識別，既可融入住宅場景，亦能延伸至商業空間。NATUZZI 所強調的「共創」，正是基於以使用者為導向的設計思維，致力於使家具回應多元生活情境，提供更為「貼心舒適」的生活提案。
In addition, the Controra sofa bed, with its day-to-night transformable function, addresses the spatial flexibility required in high-density contemporary living. The Pan Lounge Table, composed of a contrast between lacquered bases and marble tops, adopts a height positioned between a coffee table and a dining table, blurring the boundary between formal and informal settings. The Riva Chair, with its refined sculptural language, establishes a distinct spatial identity that can be integrated into residential environments as well as commercial spaces. NATUZZI’s emphasis on “co-creation” is grounded in a user-oriented design approach, aiming to allow furniture to respond to diverse living scenarios and offer more attentive and comfortable lifestyle propositions.
➤ NATUZZI 設計中心推出結合日夜轉換的 Controra 沙發床
➤ NATUZZI Pan 茶几除外觀上以烤漆底座搭配表面大理石材質；高度亦大改革，介於傳統餐桌及茶几間的高度，適用正式與休閒兩種不同的使用場景
➤ NATUZZI Riva 單椅展現低調細膩優雅氣質