

➤ Photo by Rafael Gamo
House 720 Degrees
The true value of architecture has never been a question for architects alone. However deeply generations of designers have pursued it, a space is equally defined by the people who inhabit it and, through the attentiveness of daily life, give it shared meaning. Across her long practice in design, urban planning, and research, Fernanda Canales has returned to one abiding concern: architecture should not be understood as an isolated object. It should be grounded in the spatial relationships that make coexistence possible, an outlook that feels especially urgent today.
➤ Photo by Rafael Gamo
➤ Photo by Camila Cossio
If architecture stands on the earth, should it not listen to the many presences around it, voiced and silent alike, and make room for them within space itself? Set in a secluded valley three hours from Mexico City, House 720 Degrees offers one answer. Its ring-shaped form does more than stir curiosity. It turns the central patio into a fluid hinge, allowing domestic life and the surrounding landscape to flow into one another, and giving form to Fernanda Canales’s ethic of care and coexistence.

➤ Photo by Rafael Gamo
Circular buildings are hardly rare. Yet this house, designed for two families, offers a distinctive reading of the symbiotic relationship between life, architecture, and environment. The project is not driven by form alone. It is shaped from the outside in, through a careful response to the site’s undulating topography, the surrounding landscape, and the ways in which inner and outer worlds might interact. Preserving the existing vegetation, Canales shaped the main volume into a circle around an open central patio and kept it deliberately low so that it settles modestly into the land. The result is a large-scale geometric and optical device, almost like a sundial, recording the passage of time through shifting light and shadow while extending the familiar 360-degree field of vision.
➤ Photo by Rafael Gamo













