獨居空間的型態與樣貌是屋主氣質的再現，在細小的事物中窺得一個人的個性特質，我們以為或許能從中看到一個人的同一性，實際上遇到矛盾的元素相組時，反而是人本身多元面向的展現。自始至終都是由獨特的氣質引領著「意識寓所」的塑形，屋主再購入此屋時已大致抓出空間氛圍，他遍尋默契佳的設計夥伴，最終遇到設計師洪博東。屋主的首要條件便是留下原始模板的痕跡，大原則都指向純粹的設計思維，不設置多餘的櫃體與門片，將更多的預算投入優質的家具選擇，設計在此場域的介入為，讓空間有整體感，減少以裝飾性的干預。

Radical Brutalism

The form and appearance of a solitary living space represents the personality of the homeowner, and reveals their individual traits in small details. We may think that we can see a person's consistency from it, but in fact, when conflicting elements are combined, it is a display of the person's multifaceted nature. From beginning to end, the shaping of the " Radical Brutalism" is guided by the unique temperament of the homeowner. When the homeowner purchased this property, he had already roughly grasped the spatial atmosphere. He searched for a design partner who shared his vision and eventually met designer Po-Tung Hung. The homeowner's primary requirement was to leave traces of the original template, and the main principle was directed towards pure design thinking. He did not install unnecessary cabinets and doors, and instead invested more budget in high-quality furniture selection. The design intervention in this space created a sense of unity, minimizing decorative interference.

對屋主來說，廚房是很重要的空間，他對於下廚很有興趣，因此將廚房配置在空間中陽光充足的區塊，與一旁的書櫃，以及屋主使用施工現場的材料製成的餐桌相鄰，書櫃上放著珍藏的書籍、漫畫、CD，緊密相連的兩個區塊讓他能舒服度過享受興趣的時光。起居室的畫面相對簡單，位於連接公、私領域的通道上，配置兩張zanotta懶骨頭、茶几、螢幕，都是可隨意搬動的家具。

For the homeowner, the kitchen is a very important space, as he has a strong interest in cooking. Therefore, the kitchen is located in a sunny area of the space, adjacent to a bookcase and a dining table made from materials used in the construction site. On the bookcase, there are treasured books, comics, and CDs. The two closely connected areas allow the homeowner to comfortably enjoy his interests. The living room is relatively simple, located on the passage connecting the public and private areas, and furnished with two Zanotta chairs, a coffee table, and a screen, all of which are movable furniture.

空間中減少使用完整的隔間牆，浴缸區僅設高度適中的拉簾，上方的鑽泥板天花像是反懸於頂，敞開簾子時的馬桶、浴缸、洗臉盆，就是生活雕塑的展示。對於睡眠空間，屋主表示只想放一張床墊，以一片樺木板的概念整合衛廁門與床頭板，後方由原始牆面襯著，形成細緻與粗獷、不完整牆面的趣味性，同時也跳脫一般門與牆面該有的樣子。主臥室內還有一塊長型空間，恰好屋高達四米，能有效利用垂直空間，下方置物，往上設計階梯，規劃為站立使用電腦工作的區域。

The space minimizes the use of complete partition walls, with only a moderately high curtain separating the bathtub area. The diamond mud board ceiling above seems to be suspended from the top, and when the curtains are opened, the toilet, bathtub, and washbasin become a display of living sculptures. For the sleeping area, the homeowner only wanted to put a mattress, and integrated the toilet door and headboard with the concept of a birch board. The original wall behind it creates an interesting contrast between delicate and rough, incomplete walls, and also breaks away from the typical appearance of doors and walls. The master bedroom also has a long space, with a height of four meters, which effectively utilizes the vertical space. There are storage areas below, and stairs are designed to lead up to a standing computer workspace.

全室的水泥呈現三種紋理：模板面、粗糙打底面和粉光水泥，依使用需求分佈於空間中，也搭配木紋質材去表現細緻感，也與線條極簡、色調溫潤的家具相呼應。此外，屋主堅持室內不使用窗簾，而是在陽台搭起遮蔽簾幕，或在玻璃上貼膜保護隱私。在「意識寓所」中，人們總能被材質的張力所魅，初次環繞空間便能沉浸其魅力，靜下心來再以五感享受寓所中的漫光、氣流，沉潛其中的是令人迷戀的生活時光。

The entire room has three types of cement textures: formwork surface, rough base surface, and polished cement, distributed according to usage needs, and matched with wood grain materials to express delicacy, echoing the minimalist lines and warm-tone furniture. In addition, the owner insists on not using curtains indoors, but instead uses shading curtains on the balcony or film protection on the glass for privacy. In the " Radical Brutalism," people are always fascinated by the tension of the materials. Upon first entering the space, one can immerse themselves in its charm and then use all five senses to enjoy the diffuse light and airflow of the residence, getting lost in the enchanting life experience.

Design Studio｜ROYHONG DESIGN

非關空間設計

Principal ・Designer|Photography｜Po-Tung Hung