存於日常的雕塑，傳遞丹麥沉穩氣息

➤ PK4™ 休閒椅 Lounge Chair

存於日常的雕塑，傳遞丹麥沉穩氣息

Sculptural Objects in Everyday Life: The Composed Quietude of Danish Design—Fritz Hansen

有時，人總會在不經意一瞥被空間裡的物景悄悄安撫。你有沒有過這種時刻，走進極簡場域之中環視周圍，視線落在一件家具上，靜靜地凝望那柔美線條為所處環境勾勒而成的有機輪廓，平衡的畫面令人感到舒心。這種感受，正如源自丹麥 Fritz Hansen 擅長的迷人語言，它不為喧囂卻講究地存在著，透過細膩工藝與柔和色彩的氣質，使北歐生活逐漸滲入日常，引導人們在放鬆狀態中體驗簡約、自然的靜謐之美。

There are moments when a space calms you without your noticing—when a glance around a pared-back room lands on a piece of furniture whose gentle outline steadies the scene. Its soft curves trace an organic silhouette that settles the eye and restores a sense of ease. This quiet reassurance is much like the language Fritz Hansen has cultivated: discreet yet exacting, shaped by refined craftsmanship and warm, understated tones that allow Nordic sensibilities to slip naturally into daily life. In these unhurried pauses, simplicity and nature reveal themselves as a quiet kind of beauty.

➤ PK60™ 咖啡桌 Coffee Table, PK0 A™ 單椅 Chair

曲線的革新，簡約中的不凡

Curves Reimagined: Quiet Innovation in a Minimal Form

於挑高大廳內，PK60™ 咖啡桌與 PK0 A™ 單椅顯得格外小巧精緻，似乎還帶著一絲輕靈的氣質，若細究便發現由 Poul Kjærholm 於 1952 年設計的 PK0 A™ 單椅如雕塑般的視覺，以兩片交疊的結構形成椅身，採用俄勒岡松木或黑色梣木製成，兩者間則以朱紅色間隔片相互連結，形成色彩對比；獨特椅面的曲線造型簡潔而纖薄，帶來舒適坐感也展現了先進技術。視線望向前方由透明玻璃桌面和三片蒸汽彎曲實木桌腳組成的 PK60™ 咖啡桌，同樣帶來輕盈通透質感，如藝術品般存於日常。

In a double-height foyer, the PK60™ coffee table and PK0 A™ chair appear almost weightless—modest in scale yet distinctly present. Designed by Poul Kjærholm in 1952, the PK0 A™ is sculptural in its clarity: two overlapping shells in Oregon pine or black-stained ash held apart by a slender vermilion spacer that lends a subtle contrast. Its refined, ultra-thin curvature offers surprising comfort while quietly reflecting the technical ambition behind the piece. Facing it, the PK60™ coffee table pairs a transparent glass top with three steam-bent solid-wood legs, giving the table a light, lucid presence—an object that rests in the home much like a small work of art.

➤ PK60™ 咖啡桌 Coffee Table, PK0 A™ 單椅 Chair

理性結構中的美，實用與藝術的結合

Structure as Beauty: A Union of Utility and Art

步入餐廳，PK3™ 單椅以模壓膠合板與鋼材構成，呈現精準幾何與極簡語彙，清晰線條勾勒出椅背輪廓，卻在中央留了一道縫隙由兩片鏡面單板輕巧連接，坐面則透過隱藏式鋁件固定於纖細鋼架，回應了丹麥家具設計師 Poul Kjærholm 所訴求「結構即美感」設計語言，透過理性結構展現低調而雋永的氣質，無論置於何處皆和諧契合當今的空間美學。且橡木、胡桃木和黑色白蠟木三種飾面選擇，將自然紋理引入各類場景，輕鬆為場域型塑個性。

Stepping into the dining area, the PK3™ chair introduces a measured, architectural calm. Formed from moulded veneer and a slender steel frame, it expresses a precise geometry. A narrow opening at the centre of the backrest is joined by two mirrored veneer plates, while the seat is fixed with concealed aluminium fittings along the fine steel structure. The chair reflects Kjærholm’s belief that beauty can arise directly from construction. Offered in oak, walnut, or black ash, its quiet grain brings a natural texture that adapts effortlessly to contemporary spaces.

➤ PK3™ 單椅 Chair

軟包工藝延續雕塑感，舒適源自經典

Softened Sculpture: Comfort Rooted in Craft

望向一隅，圍繞餐桌排開的 PK23™ 半軟包休閒椅延續原作的雕塑輪廓，雖與同期構思的 PK3™ 單椅同樣擁有寬大簡約外型，以木材為基底的座椅，透過創新的雙殼膠合板結構輔以精緻金屬細節，將清漆橡木、清漆胡桃木及黑色白臘木三款飾面，分別搭配 Hallingdal、Vidar 與 Christianshavn 面料，讓這款休閒椅在視覺上更為柔和，也進一步提升使用的舒適性；而多元版本搭配，得以靈活融入各式場域，使人能夠自在享受愜意氛圍，同時見證 Kjærholm 設計歷程的演進。

Arranged around the dining table, the PK23™ lounge chair continues the sculptural language of its era. Conceived alongside the PK3™, it uses a dual-shell veneer structure accented with fine metal details. Available in clear-lacquered oak, walnut, or black ash—and upholstered in Hallingdal, Vidar, or Christianshavn—the chair gains a softened warmth that enhances comfort while retaining its clarity of form. Its variations allow it to settle easily into a range of interiors, reflecting the steady evolution of Kjærholm’s design practice.

➤ PK23™ 半軟包休閒椅Lounge Chair

➤ PK23™ 半軟包休閒椅

Lounge Chair

➤ PK23™ 半軟包休閒椅Lounge Chair

➤ PK23™ 半軟包休閒椅 Lounge Chair

姿態簡約而輕盈，現代的優雅閒適

Lightness in Form: A Quiet Gesture of Ease

靜謐的午後時光，坐在 PK4™ 休閒椅上享受著暖陽輕灑於臉龐。這件由 Poul Kjærholm 於 1952 年設計的單椅，僅由一根旗繩在焊接成整體框架的鋼材上來回編織而成，簡約而輕盈姿態，承接了平日忙碌的身軀，讓身心靈隨之放鬆，彷彿置身於山林間怡然舒適。這一切皆源於 Kjærholm 對材質的深刻理解，讓兩種看似迥異的元素和諧交織，賦予椅子極致的結構美感，體現其遊走於藝術與設計之間的遠見。

On a still afternoon, sunlight glances across the PK4™ lounge chair. Designed in 1952, it is made from a single length of flag halyard woven across a welded steel frame. Open and featherlight, it receives the body with ease, offering a momentary quiet—almost as if one had stepped into a clearing in the woods. The interplay of tensioned rope and cool steel reveals Kjærholm’s intuitive command of materials and his ability to move between the sensibilities of art and design.

➤ PK4™ 休閒椅 Lounge Chair

柔與鋼的平衡，沉著陪伴每刻日常

A Balance of Softness and Steel: A Composed Daily Companion

不遠處的 PK80™ 沙發床以古羅馬的臥榻為靈感，其低矮坐面維持視覺開闊。採用皮革或天然布軟墊帶來柔軟坐感，飾以滾邊縫線勾勒出細膩輪廓；而置於塗漆膠合底板上的坐墊，透過機械螺絲連接不鏽鋼製框架，使金屬可與細木作一樣精密細緻，在簡約語言中，展開結構與材質的和諧對話，散發靜謐且沉穩的氛圍，悄然陪伴每時每刻。這件作品同時也是 MoMA、V&A、北歐等國際級博物館的永久典藏，唯有在輕觸表材的體驗，才能領略潛藏在極簡設計中細緻工藝的講究。

Placed nearby, the PK80™ daybed draws its inspiration from ancient Roman couches, translated into a restrained, modern expression. Its low seat keeps the room open, while the leather or textile cushion—outlined with precise piping—rests on a painted plywood base secured to a brushed stainless-steel frame. Here, metal is finished with the delicacy of fine joinery, creating a quiet dialogue between structure and material. The PK80™ holds a composed, meditative presence—so unassuming that one might almost forget it is part of the permanent collections of MoMA, the V&A, and leading Nordic museums. Through touch—the weight of the cushion, the coolness of the frame, the stillness it invites—the depth of its craft becomes unmistakable.

➤ PK80™ 沙發床 Daybed

栢悅國際