Members Only

加入會員後,點選Members Only即能閱讀更多完整文章及獨家內容。

Sign up now
WABISABI
  • Projects
    • Worldwide
    • Interiors
    • Features
  • Contemporary
    • Exhibitions
  • Record
  • Lifestyle
  • City Explore
  • News
  • Issue
  • Account
  • Search
  • Language
Mobile nav

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

台北蔡宅

House Tsai

 

倘若實體的空間,鏡射的是心靈空間的模樣,都市裡膨脹的欲念,便是彰顯在本有建築之外,那肆意張揚、枝蔓橫生的各式擴建了。欲念從都市的狹小居地擴延增生,就連屋主買在半山腰的獨棟五層舊樓,也從初始的七十坪,在歲月之間翻長了近乎一倍。然而,這個既龐大且多隔間的獨立居所,對於五口之家而言,非但未能帶來暢朗,反而顯得封閉疏離,於是設計師的首要任務,便是回歸最初面目。

 

 

If physical spaces reflect the appearance of our mental spaces, then the expanding desires within the city are manifested in the various extensions that brazenly sprawl and branch out beyond the original architecture. Desires spread and proliferated from the cramped living spaces of the city to the extent that even a standalone five-story old house bought halfway up a hill, originally seventy pings in size, has nearly doubled over the years. However, this large and compartmentalized independent residence, instead of offering spaciousness, felt closed off and detached for the family of five. Therefore, the primary task of the designer was to return it to its original state.
 
 

設計師不僅減去二、三樓延伸的陽台、露台,將空間拉回原本的尺度,也打掉公領域隔間,讓視線變得開闊。如此還原的,不只是空間本身,也讓光線與風,不再因中斷而變得窒礙,得以重新透穿整棟房屋。唯有卸下外加的累贅找回原先的優勢,讓風與光能自在來去,屬於生活的色彩與聲響方能流轉其中。由此,設計師的空間劇本,也才有了第一幕——在一個尋常日子,位於樓上閱讀遊戲室的孩子,嗅聞到從廚房往挑空處飄散出的菜香,分析哪道菜餚剛起了鍋,尋思在還沒聽見樓下喊吃飯之前,是不是要先下樓去偷嚐一口。屋子裡的人,便是在生活裡頭,敏銳打開五感,隨時關注親愛家人的動態,而不被過於寬敞的空間,隔絕了身與心的交流。自然的往來互動,在無阻的空間場景裡醞釀,並在留白的餘裕裡發酵。設計師重新以白色乳膠漆與混凝土,打造一個能沉澱心靈的家屋基底,並讓無飾的樺木板,捎來溫柔的自然生機,這對從事電影與花藝工作的夫婦來說,能在家屋裡獲得簡樸的日常,也能以無彩的空白為器,創生與裝盛各色獨到的繽紛。

 

 

 

The designer not only removed the extended balconies and terraces on the second and third floors to bring the space back to its original size but also demolished the partitions in the public areas to open the view. Such restoration was not only for the space itself but also allowed light and air to flow freely again throughout the house, uninterrupted. By shedding the added encumbrances and returning to the original advantages, the wind and light could move freely, and the colors and sounds of life could circulate within. From this, the designer's spatial script begins its first act—on an ordinary day, a child in the upstairs reading and playroom catches the scent of food wafting from the kitchen to the atrium below, trying to guess which dish has just been put on the stove, wondering whether to sneak downstairs for a taste before being called for dinner. The people in the house, thus, live with their senses keenly attuned, always aware of their loved ones' whereabouts, not separated by the physical spaciousness that could otherwise isolate their emotional and physical connection.Natural interactions ferment in unobstructed spaces, blossoming within the margins left blank. 
 
 

設計師重新以白色乳膠漆與混凝土,打造一個能沉澱心靈的家屋基底,並讓無飾的樺木板,捎來溫柔的自然生機,這對從事電影與花藝工作的夫婦來說,能在家屋裡獲得簡樸的日常,也能以無彩的空白為器,創生與裝盛各色獨到的繽紛。留白的還有機能。在未來充滿各種變化可能的當下,不急於對每個空間下定義,頂樓特意規劃的親子空間,也沒有明確的使用定位。在這個擁有寬敞露台的地方,能烤肉、聚會、扮家家酒,甚或隨時來場露營,讓生活能在適度的空白中,生發無窮想像。而空白不是無聊,更不是漫不經心。依勢而建形成客、餐廳的高低差,設計師藉由混凝土腰帶延伸視覺;公領域因挑空產生的照明問題,由主調相合的鋼索吊燈解決;廚房避不了的柱位,順勢轉譯低矮台面的功能;想兼顧美觀與採光的廚房牆面,則以霧面玻璃磚呈現。

 

 

The designer not only removed the extended balconies and terraces on the second and third floors to bring the space back to its original size but also demolished the partitions in the public areas to open the view. Such restoration was not only for the space itself but also allowed light and air to flow freely again throughout the house, uninterrupted. By shedding the added encumbrances and returning to the original advantages, the wind and light could move freely, and the colors and sounds of life could circulate within. From this, the designer's spatial script begins its first act—on an ordinary day, a child in the upstairs reading and playroom catches the scent of food wafting from the kitchen to the atrium below, trying to guess which dish has just been put on the stove, wondering whether to sneak downstairs for a taste before being called for dinner. The people in the house, thus, live with their senses keenly attuned, always aware of their loved ones' whereabouts, not separated by the physical spaciousness that could otherwise isolate their emotional and physical connection.Natural interactions ferment in unobstructed spaces, blossoming within the margins left blank. 
 
 
 

每一處細節,承載著打造安穩平靜的初心和生機之所的體貼細膩。於是,這個半山腰的老屋,在素樸寂靜裡,有盎然生機。或許夜底細聽得以發現,遠處有隻青蛙跳下水,「咚」的發出了聲響。

 
Every detail carries the thoughtful delicacy aimed at creating a tranquil and stable sanctuary teeming with life. Thus, in this old house perched on the hillside, amidst its plain silence, there's a vibrant vitality. Perhaps, by listening closely at night, one might discover the sound of a frog leaping into the water from afar, making a "plunk" sound.
 
 
 
 
Design Studio | 2BOOKS DESIGN Facebook @2booksdesign
 
Photography | Moooten Studio Facebook @moootenstudio
Sanhe Elementary: Semi-outdoor Activity Space
上一頁

Sanhe Elementary: Semi-outdoor Activity Space

Floating Library
下一頁

Floating Library

  • About
  • Privacy policy
  • Track Order
  • Customer
  • Contact
  • Join us
FACEBOOK
instagram
Language

Copyright © WABISABI ISSUE. 侘寂傳媒有限公司 統一編號:90451315

  • Projects
    • Worldwide
    • Interiors
    • Features
  • Contemporary
    • Exhibitions
  • Record
  • Lifestyle
  • City Explore
  • News
  • Issue
Language